Forget Decolonizing

IF 0.9 4区社会学 Q2 CULTURAL STUDIES

Representations Pub Date : 2023-01-01 DOI:10.1525/rep.2023.162.9.125

Jill Jarvis

引用次数: 0

Abstract

This paper considers the possibilities and limits of anticolonial resistance alongside the transmedial artworks of Tuareg poet and artist Mahmoudan Hawad, setting what he calls his “furigraphies” in a radioactive historical and geographical context that presently extends from Taourirt Tan Afela (Algeria) to Arlit (Niger) because of indelible—and currently unfolding—French nuclear imperialism that includes both nuclear bomb and uranium extraction infrastructures.

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忘记他们

本文通过图阿雷格诗人和艺术家马哈茂丹·哈瓦德(Mahmoudan Hawad)的跨媒体艺术作品，考虑了反殖民抵抗的可能性和局限性，将他所谓的“furigraphies”置于一个放射性的历史和地理背景中，这个背景目前从taourrirt Tan Afela(阿尔及利亚)延伸到Arlit(尼日尔)，因为法国的核帝国主义包括核弹和铀提取基础设施，这是不可磨灭的，目前正在展开。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Representations Multiple-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： An interdisciplinary journal edited by renowned scholars, Representations publishes trend-setting articles and criticism in a wide variety of fields in the humanities. In addition to special topical issues, tributes, and forums, inside you’ll find insightful coverage of: •The Body, Gender, and Sexuality •Culture and Law •Empire, Imperialism, and The New World •History and Memory •Narrative and Poetics •National Identities •Politics and Aesthetics •Philosophy and Religion •Race and Ethnicity •Science Studies •Society, Class, and Power •Visual Culture