An investigation into the "nūn al-wiqāyati" in Classical Arabic

Q2 Arts and Humanities

Kervan Pub Date : 2018-11-23 DOI:10.13135/1825-263X/2871

A. Faraj

引用次数: 0

Abstract

The article aims to explain the denomination of the nūn al-wiqāyati (“the nūn of protection”) and its real function in classical Arabic, focusing on linguistics and the theories of the Arab grammarians. Explanations of its function fall broadly into two camps. One sees its function as a wiqāyati (“protection”) element, while the other considers it as a personal suffix, i.e. 1 st p. sg. –nī as an object. At the same time this paper argues for the two personal endings for the 1 st p. sg -ī and –nī in order to reach an acceptable morphological analysis. After reviewing the opinions of the classical and modern Arab grammarians about the nūn al-wiqāyati as an Arabic term, its original function becomes clear.

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古阿拉伯语中“nūn al-wiqāyati”一词的研究

本文着重从语言学和阿拉伯语法学家的理论出发，阐述了古典阿拉伯语中nūn al-wiqāyati(“保护的nūn”)的名称及其实际功能。对其功能的解释大致分为两大阵营。一个人认为它的功能是wiqāyati(“保护”)元素，而另一个人则认为它是一个个人后缀，即1 . p. sg。作为宾语。同时，本文还对第1章的人称词尾sg - +和- n - +进行了论证，以达到一个可接受的形态学分析。 在回顾了古典和现代阿拉伯语法学家对nūn al-wiqāyati作为阿拉伯语术语的看法之后，它的原始功能就清楚了。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Kervan Arts and Humanities-Literature and Literary Theory

CiteScore

0.30

自引率

0.00%

发文量

审稿时长

18 weeks

期刊介绍： The journal has three main aims. First of all, it aims at encouraging interdisciplinary research on Asia and Africa, maintaining high research standards. Second, by providing a global forum for Asian and African scholars, it promotes dialogue between the global academic community and civil society, emphasizing patterns and tendencies that go beyond national borders and are globally relevant. The third aim for a specialized academic journal is to widen the opportunities for publishing worthy scholarly studies, to stimulate debate, to create an ideal agora where ideas and research results can be compared and contrasted. Another challenge is to combine a scientific approach and the interest for cultural debate, artistic production, biographic narrative, etcetera. This journal wants to be original (even hybrid) also in its structure, where academic rigor should not hinder access to the vitality of experience and of artistic and cultural production.