From seed to plant: vegetal images and metaphors in Swahili poetry

Q2 Arts and Humanities
Kervan Pub Date : 2016-12-08 DOI:10.13135/1825-263X/1882
Graziella Acquaviva
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引用次数: 0

Abstract

The article analyses a few Swahili poems; the focusing on the use of metaphorical language and the resulting images in order to represent the cultural context in which both classical and modern Swahili poetry play its role as medium of knowledge. Swahili poets translate their world vision connecting language and vegetal kingdom through the so-called “visual or pictorial language”. In a few of the selected poems, for example, a female figure is likened to plants and flowers, therefore highlighting what the recurring association of the flora with the female figure may say about different visions of womanhood. Vegetal metaphors occur also in political and philosophical verse, in which trees and vegetables are used as a means to hide the message and give it an enigmatic form.
从种子到植物:斯瓦希里语诗歌中的植物意象和隐喻
本文分析了几首斯瓦希里语诗歌;重点是隐喻语言的使用和由此产生的图像,以代表文化背景,其中古典和现代斯瓦希里诗歌都发挥了知识媒介的作用。斯瓦希里诗人通过所谓的“视觉或图像语言”来翻译他们连接语言和植物王国的世界视野。例如,在一些精选的诗歌中,一个女性形象被比作植物和花朵,因此强调了植物与女性形象之间反复出现的联系可能会表达出不同的女性形象。植物隐喻也出现在政治和哲学诗歌中,在这些诗歌中,树木和蔬菜被用作隐藏信息的手段,并赋予其神秘的形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Kervan
Kervan Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
18 weeks
期刊介绍: The journal has three main aims. First of all, it aims at encouraging interdisciplinary research on Asia and Africa, maintaining high research standards. Second, by providing a global forum for Asian and African scholars, it promotes dialogue between the global academic community and civil society, emphasizing patterns and tendencies that go beyond national borders and are globally relevant. The third aim for a specialized academic journal is to widen the opportunities for publishing worthy scholarly studies, to stimulate debate, to create an ideal agora where ideas and research results can be compared and contrasted. Another challenge is to combine a scientific approach and the interest for cultural debate, artistic production, biographic narrative, etcetera. This journal wants to be original (even hybrid) also in its structure, where academic rigor should not hinder access to the vitality of experience and of artistic and cultural production.
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