The pistil of the renounciant, a fire without flames. Considerations on the symbology of the night jasmine in the Indian world

Q2 Arts and Humanities
Kervan Pub Date : 2016-12-08 DOI:10.13135/1825-263X/1874
G. Pellegrini
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引用次数: 0

Abstract

Although the night jasmine – in Sanskrit pārijāta – is very well-known in the South Asian world, very few scholars have reflected upon its many significances, which go from mythology to medicine. Nevertheless, such a pleasantly fragrant, delicate and immaculate flower evocates several echoes in the Indians’ representative minds. In fact, due to some of its special features, the night jasmine is surely full of symbolism: it blossoms at the evening twilight and falls down at the morning one, its pistil is of an intense ochre colour, etc. In this essay will be analysed some of the peculiarities of the pārijāta flower, which connect it to the ascetic renounciant ( saṃnyāsin ).
弃绝者的雌蕊,是没有火焰的火。印度世界茉莉花的符号学思考
虽然茉莉花(梵语pārijāta)在南亚世界非常有名,但很少有学者思考它的许多意义,从神话到医学。然而,这样一种芳香宜人、娇嫩无瑕的花,却在印度人的代表心中唤起了多重的回响。事实上,由于它的一些特点,夜茉莉花确实充满了象征意义:它在傍晚的暮色中开花,在早晨的暮色中落下,它的雌蕊是强烈的赭色,等等。在这篇文章中,我们将分析pārijāta花的一些特性,这些特性将它与禁欲主义者联系起来(saṃnyāsin)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Kervan
Kervan Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
18 weeks
期刊介绍: The journal has three main aims. First of all, it aims at encouraging interdisciplinary research on Asia and Africa, maintaining high research standards. Second, by providing a global forum for Asian and African scholars, it promotes dialogue between the global academic community and civil society, emphasizing patterns and tendencies that go beyond national borders and are globally relevant. The third aim for a specialized academic journal is to widen the opportunities for publishing worthy scholarly studies, to stimulate debate, to create an ideal agora where ideas and research results can be compared and contrasted. Another challenge is to combine a scientific approach and the interest for cultural debate, artistic production, biographic narrative, etcetera. This journal wants to be original (even hybrid) also in its structure, where academic rigor should not hinder access to the vitality of experience and of artistic and cultural production.
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