Manifold Enclosures

IF 1.1 2区社会学 Q2 ANTHROPOLOGY

Public Culture Pub Date : 2022-10-31 DOI:10.1215/08992363-9937368

Janette Kim

引用次数: 0

Abstract

In 2021, the East Bay Permanent Real Estate Cooperative (EB PREC) purchased Esther's Orbit Room—the last remaining venue of Oakland's West Coast blues scene—to build a haven for Black culture and livelihood. As a novel system of land ownership inspired by land trusts, cooperatives, and social movements, EB PREC orchestrates local, collective governance to harness the staying power of ownership and resist its commodification. EB PREC's complex institutional structure is mirrored in the manifold enclosures of the Orbit Room property, which expands, contracts, and subdivides an ever-contested form of parcelization. As an architectural designer and member of EB PREC, the author combines an analysis of the Orbit Room's as-built conditions with an institutional portrait of EB PREC. This article asks how alignment and misalignment between ownership and property lines can enable—and preclude—the decommodification of property and transform it into an enduring source of power for those so long excluded from it.

查看原文本刊更多论文

多方面的附件

2021年，东湾永久房地产合作社(EB PREC)购买了埃斯特的轨道室，这是奥克兰西海岸蓝调场景的最后一个场所，为黑人文化和生计建立了一个避风港。作为一种受土地信托、合作社和社会运动启发的新型土地所有权制度，EB PREC协调了地方集体治理，以利用所有权的持久力并抵制其商品化。EB PREC复杂的机构结构反映在轨道室属性的多种外壳中，它扩展、收缩和细分了一种有争议的包裹形式。作为一名建筑设计师和EB PREC的成员，作者将轨道室的建成条件分析与EB PREC的机构肖像结合起来。这篇文章探讨了所有权和财产界线之间的一致和不一致如何能够使——或排除——财产的分解，并将其转化为长期被排除在财产之外的人的持久的权力来源。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

Public Culture Multiple-

CiteScore

2.10

自引率

6.70%

发文量

期刊介绍： Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.