Stitching Together Creativity and Responsibility

Q2 Arts and Humanities
M. Halpern, Jathan Sadowski, J. Eschrich, E. Finn, D. Guston
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引用次数: 11

Abstract

This article explores Mary Shelley’s Frankenstein as an “object of care” for use in examining the relationship between creativity and responsibility in the sciences and beyond. Through three short sketches from different disciplinary lenses—literature, science and technology studies, and feminist studies—readers get a sense of the different ways scholars might consider Shelley’s text as an object of care. Through an analysis and synthesis of these three sketches, the authors illustrate the value of such an object in thinking about broad cultural issues. The article acts as a kind of boundary object by creating distinct, yet overlapping narratives from an object that is owned by many social worlds. The three sketches reveal Frankenstein as a thoughtful consideration about what it means to care for, or fail to care for, one’s creation, rather than as a cautionary tale about the evils of scientific hubris. Although infrastructures at universities often prevent interdisciplinary dialogue, the article concludes that purposeful boundary objects created around objects of care like Frankenstein can help build bridges and create shared meanings for new interdisciplinary spaces.
将创造力和责任感结合在一起
本文将玛丽·雪莱的《弗兰肯斯坦》作为一个“关注对象”,用于研究科学领域及其他领域的创造力与责任之间的关系。通过三个来自不同学科视角——文学、科学技术研究和女权主义研究——的小品,读者可以了解到学者们将雪莱的文本视为关注对象的不同方式。通过对这三个草图的分析和综合,作者说明了这样一个对象在思考广泛的文化问题时的价值。文章作为一种边界对象,从许多社会世界所拥有的对象中创造出独特而又重叠的叙事。这三幅草图表明,《弗兰肯斯坦》是对关心或不关心自己的创造物意味着什么的深思熟虑,而不是一个关于科学傲慢的邪恶的警示故事。虽然大学的基础设施经常阻碍跨学科的对话,但文章的结论是,在像弗兰肯斯坦这样的关怀对象周围创建的有目的的边界物体可以帮助建立桥梁,并为新的跨学科空间创造共享的意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Bulletin of Science, Technology and Society
Bulletin of Science, Technology and Society Arts and Humanities-History and Philosophy of Science
CiteScore
2.60
自引率
0.00%
发文量
9
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