Icons of Hell 7 Dictators, 700 Portraits, 7 Pages

IF 0.2 2区 艺术学 0 ART
ARTMargins Pub Date : 2020-06-01 DOI:10.1162/artm_a_00265
V. Zakharov
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引用次数: 0

Abstract

Without an encounter with the unknown, creativity is impossible. In this encounter, there is no possibility for understanding anything, neither in terms of culture nor psychology. This is no dead end. Quite on the contrary: by finding your way out of the dead end, you can attain total freedom. Encounters with the unknown are extremely rare. The unknown is something you need to search out, overcoming the stereotypes of your thinking, the attitudes of your life and the dummies of your emotions. Our (creative) paths need to strike up against the unknown, no matter how thoroughly we build them and no matter which goal we pursue. The edges of my activity are always in some extreme, liminal state. My face is turned toward the unknown, while my masks address that which can be recognized by culture.
地狱的图标7个独裁者,700个肖像,7页
不与未知相遇,就不可能有创造力。在这种相遇中,无论是在文化方面还是在心理方面,都不可能理解任何事情。这不是死胡同。恰恰相反:通过找到走出死胡同的路,你可以获得完全的自由。与未知的相遇是极其罕见的。未知是你需要寻找的东西,克服你思维的刻板印象,你的生活态度和你的情感的假象。我们的(创造性的)道路需要面对未知,无论我们建立了多么彻底的道路,也无论我们追求的目标是什么。我活动的边缘总是处于某种极端的、有限的状态。我的脸转向未知,而我的面具则指向文化所能识别的东西。
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来源期刊
ARTMargins
ARTMargins ART-
CiteScore
0.10
自引率
0.00%
发文量
16
期刊介绍: ARTMargins publishes scholarly articles and essays about contemporary art, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia. The journal acts as a forum for scholars, theoreticians, and critics from a variety of disciplines who are interested in art and politics in transitional countries and regions; postsocialism and neo-liberalism; postmodernism and postcolonialism, and their critiques; and the problem of global art and global art history and its methodologies.
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