“How Can We Know the Dancer from the Dance?” Intention and the Preservation of Digital Objects

Q2 Social Sciences

New Review of Information Networking Pub Date : 2014-01-02 DOI:10.1080/13614576.2014.883935

Sheila Morrissey

引用次数: 5

Abstract

This article considers some of the issues created in the preservation of digital artifacts by the entanglement of object creator, mediating processes, and object viewer. This includes the relationship between format and software characterization, the sometimes complex manner in which software engineering practice, even best practice, complicates the use and intelligibility of software over the long term, and the need to preserve not just versions, but also variant renderings of the same version of an artifact.

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“我们如何从舞蹈中分辨出舞者?”意图和数字对象的保存

本文考虑了由于对象创建者、中介过程和对象查看器的纠缠而在数字工件保存中产生的一些问题。这包括格式和软件特性之间的关系，有时软件工程实践，甚至是最佳实践中复杂的方式，在长期内使软件的使用和可理解性复杂化，并且不仅需要保存版本，还需要保存同一版本的工件的不同呈现。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

New Review of Information Networking Social Sciences-Education

CiteScore

2.10

自引率

0.00%

发文量

期刊介绍： Information networking is an enabling technology with the potential to integrate and transform information provision, communication and learning. The New Review of Information Networking, published biannually, provides an expert source on the needs and behaviour of the network user; the role of networks in teaching, learning, research and scholarly communication; the implications of networks for library and information services; the development of campus and other information strategies; the role of information publishers on the networks; policies for funding and charging for network and information services; and standards and protocols for network applications.