Ron Mueck In Bed (2005)—A Contemporary Textile Challenge

Q2 Arts and Humanities
A. Pagliarino, Michael Marendy
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引用次数: 0

Abstract

Following the inclusion of Ron Mueck's In Bed (2005) in the 2010 National Gallery of Victoria Touring Exhibition Ron Mueck and the 2011 Queensland Art Gallery/Gallery of Modern Art Regional Tour In Bed by Ron Mueck, the artwork underwent a major conservation treatment. The treatment focused on remediation of textile staining and discolouration which had progressively increased over the period of exhibition. In addition to the treatment, the Gallery undertook to reproduce three textile components comprising the upper and lower pillowcases and the duvet cover. The monumental scale of In Bed posed considerable conservation challenges in both undertaking the cleaning treatment and manufacturing the reproduction textile pieces. An extensive literature review revealed little published material on the treatment of large contemporary textiles, therefore the treatment methodology was based on principles developed for historic textiles. To wash the oversised textile pieces, the Gallery built a 5 × 8 m custom-designed washtub and drying rack. The use of theatre curtaining in the manufacture of the original and reproduction textiles required experimental work to determine the validity and success of established historic textile treatments applied in a contemporary context.
罗恩·穆克在床上(2005)——当代纺织品的挑战
继罗恩·穆克的《床上》(2005)在2010年维多利亚国家美术馆巡回展览罗恩·穆克和2011年昆士兰美术馆/现代艺术画廊区域巡回展览罗恩·穆克的《床上》中展出后,该作品经历了一次重大的保护处理。处理的重点是修复在展览期间逐渐增加的纺织品染色和变色。除了处理外,画廊还复制了三个纺织部件,包括上下枕套和羽绒被套。In Bed的巨大规模在进行清洁处理和生产复制纺织品方面都提出了相当大的保护挑战。广泛的文献回顾揭示了很少发表的材料处理大型当代纺织品,因此,处理方法是基于为历史纺织品开发的原则。为了清洗超大尺寸的纺织品,画廊建造了一个5 × 8米的定制洗脸盆和晾衣架。剧院幕布在原厂和复制厂纺织品生产中的使用需要实验工作,以确定在当代环境中应用的既定历史纺织品处理的有效性和成功性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
AICCM Bulletin
AICCM Bulletin Arts and Humanities-Museology
CiteScore
0.50
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