Applied theatre training: theatre for Democracy and knowledge exchange

IF 0.4 3区 艺术学 0 DANCE
Samuel McKay
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引用次数: 0

Abstract

This article draws from a research project that sought to map knowledge exchange movements in student led projects delivered as part of a final year module of the Applied Theatre and Community Drama BA Hons course, Theatre for Democracy and Advocacy, at the Liverpool Institute for Performing Arts (LIPA). As a practice, Theatre for Democracy attempts to create cultural spaces and activities that engender and promote dialogue between decision makers and the people they represent, with a view to influencing change, and since 2011 over 50 of these student led projects have been delivered at LIPA. This research sought to understand the ways in which knowledge is produced and shared through this process of practitioner training. The research mobilised a facet methodology, a mixed methods approach that allows different lenses or frames to speak to a central question, specifically engaging with the projects through observation, conversation, and documentation. This article narrates a unique model of applied theatre training that creatively brings together students, communities, and the decision makers in the public sector that act on behalf of those communities, naming some of the ways in which knowledge(s) can be created and shared through such student led projects.

应用戏剧训练:戏剧促进民主与知识交流
本文取材于利物浦表演艺术学院(LIPA)的一项研究项目,该项目旨在绘制学生主导项目的知识交流运动图,该项目是应用戏剧和社区戏剧荣誉学士课程“戏剧民主与宣传”最后一年模块的一部分。作为一种实践,民主剧院试图创造文化空间和活动,产生和促进决策者与他们所代表的人民之间的对话,以期影响变革,自2011年以来,LIPA已经交付了50多个由学生主导的项目。本研究试图了解知识是如何通过从业者培训过程产生和共享的。这项研究采用了一种侧面方法,一种混合方法,允许不同的镜头或框架来讨论一个中心问题,特别是通过观察、对话和文档来参与项目。本文讲述了一种独特的应用戏剧培训模式,它创造性地将学生、社区和代表这些社区的公共部门决策者聚集在一起,并列举了一些通过学生主导的项目创造和分享知识的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.50
自引率
25.00%
发文量
55
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