The discourse of the Other in Martin McDonagh's The Pillowman

IF 0.4 Q3 PSYCHOLOGY, PSYCHOANALYSIS
Farzad Kolahjooei
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引用次数: 0

Abstract

As a key term in Lacanian psychoanalysis, the concept of the Other regulates the subject's desire. While it is absent as a physical entity, it commands and shapes the individual's psyche via language unconsciously. This paper provides a close reading of Martin McDonagh's The Pillowman to explore the ways everyone in the play is under the control of the discourse of the Other. To do so, this paper provides a theoretical structure based on Lacan's definition of the term and its relationship to language and signification to finally view its various manifestations in McDonagh's play.

马丁·麦克唐纳《枕头人》中的他者话语
作为拉康精神分析的一个关键术语,他者的概念调节着主体的欲望。虽然它作为一个物理实体是不存在的,但它通过无意识的语言来指挥和塑造个人的心理。本文细读马丁·麦克唐纳的《枕头人》,探讨剧中每个人都是如何被他者话语控制的。为此,本文基于拉康对该术语的定义及其与语言和意义的关系,提供了一个理论结构,以最终审视其在麦克唐纳戏剧中的各种表现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.30
自引率
14.30%
发文量
40
期刊介绍: The International Journal of Applied Psychoanalytic Studies is an international, peer-reviewed journal that provides a forum for the publication of original work on the application of psychoanalysis to the entire range of human knowledge. This truly interdisciplinary journal offers a concentrated focus on the subjective and relational aspects of the human unconscious and its expression in human behavior in all its variety.
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