Redefining Structural Art: A Neuroaesthetics Perspective on the Art of Structural Design

Architecture, Structures and Construction Pub Date : 2022-03-09 DOI:10.1007/s44150-022-00027-y

Shuaizhong Wang, Toni Kotnik, Joseph Schwartz

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引用次数: 2

Abstract

Structural art should not be marginalised as an integral part of structural design. By reviewing historical understandings of structural art, this article discusses the ambiguous and neglected perspective of structural art on architectural design and human perception dimensions, concentrating the attention of structural art on the question of human aesthetic perception. Based on significant changes in how art is perceived due to recent neuroaesthetics research, this article introduces recent findings from cognitive neuroscience regarding embodied perception principles, sheds new light on the aesthetic experiences inherent in the built environment, and clarifies and expands previously held beliefs about structural art. Finally, while emphasising the significance of structural art, this article attempts to provide a body-informed perspective on structural art that can aid in incorporating human neuroaesthetic perception principles during the conceptual phase of the structural design process, thereby redefining the effect of structures on architectural space and aesthetics, thus redefining structural art.

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重新定义结构艺术:结构设计艺术的神经美学视角

结构艺术作为结构设计的一个组成部分不应被边缘化。本文通过回顾对结构艺术的历史认识，探讨了结构艺术对建筑设计和人的感知维度的模糊和被忽视的视角，将结构艺术的注意力集中在人的审美感知问题上。基于最近神经美学研究对艺术感知方式的重大变化，本文介绍了认知神经科学关于具体化感知原理的最新发现，揭示了建筑环境中固有的美学体验，并澄清和扩展了先前对结构艺术的信念。最后，在强调结构艺术的重要性的同时，本文试图提供一个关于结构艺术的身体信息视角，这有助于在结构设计过程的概念阶段结合人类神经美学感知原则，从而重新定义结构对建筑空间和美学的影响，从而重新定义结构艺术。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Architecture, Structures and Construction

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