{"title":"Pandemic Art: How the Virus Has Revolutionized Art Today","authors":"B. Justin","doi":"10.1080/08949468.2022.2063674","DOIUrl":null,"url":null,"abstract":"“At times of great crisis, it is natural to look to the past for precedents,” the historian Tom Holland wrote in The Sunday Times at the start of the Covid 19 lockdowns in March 2020 (Cornwell 2020). The way artists from earlier centuries have portrayed epidemics and pandemics testifies to the anxieties raised during these events. If we look at their history we can find many real and symbolic methods used by which communities grappled with an invisible enemy. Many of the symbols used during those times still exist, and they give an insight into the ways in which artists perceived life-threatening instances, the horrors of disease and death, financial crises, the haunting despair that ensued, and what the human reactions to epidemics were. Looking into the past, at the way in which the plague was represented, we can understand how artists had come to adopt a religious framework to perceive and understand the onslaught of the epidemic. Many felt the affliction was divine retribution for communal sins.","PeriodicalId":44055,"journal":{"name":"Visual Anthropology","volume":"35 1","pages":"183 - 195"},"PeriodicalIF":0.4000,"publicationDate":"2022-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Visual Anthropology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/08949468.2022.2063674","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
引用次数: 0
Abstract
“At times of great crisis, it is natural to look to the past for precedents,” the historian Tom Holland wrote in The Sunday Times at the start of the Covid 19 lockdowns in March 2020 (Cornwell 2020). The way artists from earlier centuries have portrayed epidemics and pandemics testifies to the anxieties raised during these events. If we look at their history we can find many real and symbolic methods used by which communities grappled with an invisible enemy. Many of the symbols used during those times still exist, and they give an insight into the ways in which artists perceived life-threatening instances, the horrors of disease and death, financial crises, the haunting despair that ensued, and what the human reactions to epidemics were. Looking into the past, at the way in which the plague was represented, we can understand how artists had come to adopt a religious framework to perceive and understand the onslaught of the epidemic. Many felt the affliction was divine retribution for communal sins.
期刊介绍:
Visual Anthropology is a scholarly journal presenting original articles, commentary, discussions, film reviews, and book reviews on anthropological and ethnographic topics. The journal focuses on the study of human behavior through visual means. Experts in the field also examine visual symbolic forms from a cultural-historical framework and provide a cross-cultural study of art and artifacts. Visual Anthropology also promotes the study, use, and production of anthropological and ethnographic films, videos, and photographs for research and teaching.