Intersections between Eija-Liisa Ahtila and Gilbert Simondon: imagistic experience in the associated milieu

IF 0.4 Q3 CULTURAL STUDIES
Andreia Machado Oliveira
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引用次数: 1

Abstract

ABSTRACT This article proposes intersections between the Finnish artist Eija-Liisa Ahtila and French philosopher Gilbert Simondon and puts forward a complex approach to experience relative to specific behavioral ecologies/environments (umwelt) in terms of the concepts of image and associated milieu. Conceiving imagistic experience as embodied experience, I go beyond the image as visual or pictorial or issues of interpretation and representation based on discursive language. The image is linked to biological, psychic and collective processes of individuation which conjugate individuals and milieus within techno-aesthetic experience. The viewer and the image are agent in imagistic experience, given that the individual and his associated milieu co-exist in a reciprocal relation which involves aspects of interiority and exteriority of the image. Containing aspects of interiority and exteriority, the image appears in the interaction between the human and world. On the one hand, images inhabit us and we create our worlds with them; on the other, images as quasi-organisms have their own life and signification. There is a recursive causality between the image’s interiority and exteriority. Both philosopher and artist investigate the ways we see, perceive, feel, and assign meanings to the techno-aesthetic artifacts we produce and the associated milieus in which we find ourselves. Thus, based on the images that Gilbert Simondon reveals to us and those that Eija-Liisa Ahtila presents to us, I propose to problematize imagistic process as a process of individuation in which viewer, milieu and image co-emerge simultaneously as imagistic experience.
Eija Liisa Ahtila和Gilbert Simondon之间的交集:相关环境中的意象体验
摘要本文提出了芬兰艺术家艾雅·利萨·阿赫提拉和法国哲学家吉尔伯特·西蒙登的交叉点,并从图像和相关环境的概念出发,提出了一种与特定行为生态/环境(umwelt)相关的复杂体验方法。我将意象经验视为具体化的经验,超越了图像的视觉或图像,或基于话语语言的解释和表征问题。图像与个性化的生物、心理和集体过程联系在一起,这些过程将个人和环境结合在技术美学体验中。观众和图像是意象体验的代理人,因为个人和他的相关环境以互惠关系共存,这种关系涉及图像的内在性和外在性。意象包含内在性和外在性两个方面,表现在人与世界的互动中。一方面,图像栖息在我们身上,我们用它们创造我们的世界;另一方面,作为准有机体的图像有其自身的生命和意义。图像的内在性和外在性之间存在着递归的因果关系。哲学家和艺术家都研究了我们对我们生产的技术美学工件以及我们所处的相关环境的看法、感知、感受和赋予意义的方式。因此,基于Gilbert Simondon向我们展示的图像和Eija Liisa Ahtila向我们呈现的图像,我建议将意象过程问题化为一个个性化的过程,在这个过程中,观众、环境和图像作为意象体验同时出现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.80
自引率
33.30%
发文量
15
审稿时长
14 weeks
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