John McHale’s participatory art: the Constructivist Kit series

IF 0.3 3区 艺术学 0 ART
Rachel Stratton
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引用次数: 0

Abstract

Known only through published and archival documents, John McHale’s Constructivist Kit series (1954) captures the artist’s conceptual concerns in the mid-1950s with the creative potential of the machine, the supposedly democratizing value of mass production, and the need for British society to acclimatize to the materials and systems of the post Second World War environment. In requiring audience participation, the do-it-yourself artworks undermined conventional viewing practices and challenged the hegemony of visual perception, tapping in to discourses coming out of sculptural aesthetics about haptic and visual modes of engagement and the educational function of art.
约翰·麦克海尔的参与式艺术:建构主义工具包系列
约翰·麦克海尔的《建构主义工具包》系列(1954年)仅通过出版和档案文件而闻名,它捕捉到了艺术家在20世纪50年代中期对机器的创造性潜力、大规模生产的民主化价值以及英国社会适应第二次世界大战后环境的材料和系统的需求的概念关注。在要求观众参与的过程中,自己动手的艺术品破坏了传统的观看实践,挑战了视觉感知的霸权,利用了雕塑美学中关于触觉和视觉参与模式以及艺术教育功能的话语。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.10
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0.00%
发文量
32
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