Religious Tolerance Through Stone Sculpture Production: The Case of Indonesian Sculptors

Riza Istanto, T. Triyanto
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引用次数: 1

Abstract

The purpose of this research is to analyze the value of tolerance reflected in the stone-sculpture production in Muntilan. This study used a sociology research approach with an ethnographic research design. The data collection techniques were conducted through ethnographic observation and interviews as well as document data. The results showed that the stone craft production in Muntilan is local wisdom that reflects the value of tolerance. Most of the rock artisans are Moslems, but they continued stone sculpture production that is part of the Hindhu-Buddist tradition. The product is oriented towards consumer demand, which is a contrast to the beliefs of sculptors such as Buddha statues, Hindu deities, statues of Jesus, as well as statues of other religions. The sculptures separated themselves between work and religious issues. It illustrates an open attitude as well as tolerance in accepting and understanding differences. Such local wisdom with a long-standing tolerance value in the community is a potential for community development in realizing a harmonious and peaceful life.
从石雕作品看宗教宽容——以印尼雕塑家为例
本研究的目的是分析宽容在蒙提兰石雕生产中所体现的价值。本研究采用了社会学研究方法和民族志研究设计。数据收集技术是通过人种学观察和访谈以及文献数据进行的。结果表明,蒙提兰的石材工艺生产是当地智慧的体现,体现了宽容的价值。大多数岩石工匠都是穆斯林,但他们继续进行石雕制作,这是印度佛教传统的一部分。该产品面向消费者需求,与佛像、印度教神、耶稣雕像以及其他宗教雕像等雕塑家的信仰形成鲜明对比。这些雕塑将自己与作品和宗教问题区分开来。它表明了在接受和理解差异方面的开放态度和宽容。这种在社区中具有长期宽容价值的地方智慧,是实现和谐和平生活的社区发展潜力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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