Invisible Breath

Q1 Arts and Humanities
A. Malpass, Elspeth Penny
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引用次数: 3

Abstract

Abstract:In this article we introduce the creative writing workshop “Dear Breath” and explore how those living with breathlessness tell the story of their breathlessness through letters. We explore what types of character letter writers bestow on breath (as friend, ally, or enemy) and whether they locate the troubling plotline of their breathlessness as a problem in the air or within their body. Starting with the premise that letters are stories, we were interested in how the choice of materials became part of the storytelling. Through creating letters as visual stories, participants discover which type of story they are in (restitution, resolution, or retribution). We explore two thematic storylines: stories that explore the boundaries between breath, body, air, and personhood; and stories that explore the impermanence of the breath as “other” and entreaties for it to stay. We share visual examples of practice.
隐形呼吸
摘要:在这篇文章中,我们介绍了创意写作研讨会“亲爱的呼吸”,并探讨了那些呼吸困难的人是如何通过信件讲述他们呼吸困难的故事的。我们探讨了写信人赋予呼吸的性格类型(作为朋友、盟友或敌人),以及他们是否将呼吸困难的令人不安的情节定位为空气中或身体内的问题。从信件是故事的前提开始,我们对材料的选择如何成为讲故事的一部分感兴趣。通过将信件创作成视觉故事,参与者可以发现自己所处的故事类型(归还、解决或报复)。我们探索了两个主题故事情节:探索呼吸、身体、空气和人格之间界限的故事;以及探索呼吸作为“他者”的无常性并恳求它留下来的故事。我们分享实践的视觉例子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Storytelling, Self, Society
Storytelling, Self, Society Arts and Humanities-Literature and Literary Theory
CiteScore
0.50
自引率
0.00%
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