Threshold Concepts in Literary Studies

IF 1.7 Q2 EDUCATION & EDUCATIONAL RESEARCH
Paul T. Corrigan
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引用次数: 6

Abstract

This essay proposes a series of “threshold concepts” for literary studies: text, meaning, context, form, and reading. Each term carries both commonsense understandings and disciplinary understandings, which differ from each other drastically. The disciplinary understandings entail far “more” than the commonsense ones. Unless such differences are named and explained clearly, unacknowledged commonsense understandings may hinder students ability to learn equally unacknowledged disciplinary understandings. The naming and describing of such contrasting sets of understandings and of the differences between them is an act of disciplinary introspection—a scholarly and pedagogical act vital for understanding and teaching any complex body of knowledge. In addition to proposing threshold concepts for literary studies specifically, then, this essay encourages and offers a model for teacher-scholars in any discipline to undertake the same disciplinary work.
文学研究中的门槛概念
本文提出了一系列文学研究的“门槛概念”:文本、意义、语境、形式和阅读。每一个术语都有常识性的理解和学科性的理解,它们之间有着巨大的差异。学科上的理解比常识上的理解要“多得多”。除非这些差异被命名并解释清楚,否则未被承认的常识性理解可能会阻碍学生学习同样未被承认学科理解的能力。命名和描述这些截然不同的理解以及它们之间的差异是一种学科内省行为——这是一种学术和教学行为,对理解和教授任何复杂的知识体系至关重要。除了具体提出文学研究的门槛概念外,本文还鼓励并为任何学科的教师学者从事同样的学科工作提供了一个模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Teaching & Learning Inquiry-The ISSOTL Journal
Teaching & Learning Inquiry-The ISSOTL Journal EDUCATION & EDUCATIONAL RESEARCH-
CiteScore
2.40
自引率
30.00%
发文量
37
审稿时长
17 weeks
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