{"title":"Sexuality as a promotion of Power: How the Chief Wife becomes a Means of Persuasion in the Vedic Rhetoric on Kingship","authors":"M. Ferrara","doi":"10.13135/1825-263X/2257","DOIUrl":null,"url":null,"abstract":"In the ancient South Asian texts about ritual known as Saṃhitā s and Brāhmaṇa s, the wives of the king play an interesting role in terms of bodily actions and ritual rhetoric. Especially the so-called “chief wife” ( mahi ṣ ī ) is described as a central and liminal player who serves as a sexual counterpart of the king at the main solemn rituals, i.e. Aśvamedha and Rājasūya, involving the travel of a horse in unconquered lands and the royal consecration, respectively. In this essay I suggest that the construction of female sexuality is a crucial point to fix the boundaries around the notion of authority, not only that of the king, but also that of his practitioner, i.e. the brāhmaṇa or purohita . From this starting point I suggest also that the chief wife of the king may be reconsidered as one of the most strategic actor on a ritual and political stage. I will try to show that the mahiṣī ’s sexual function in the ritual exegesis had gained value, in connection with the attempt to deify the human primus inter pares of the political organisation, i.e. the king. More specifically, I will deal with the ritual language and codification concerning the mahiṣī ’s sexuality in order to illustrate the formulation of her body in the rituals prescribed in the Brāhmaṇas about solemn rites. I will discuss how the persuasive force of description and prescription about her bodily actions served as a means of persuasion in displaying the king’s power. Finally, I suggest rethinking the role of gender in royal rituals from the perspective of literary criticism.","PeriodicalId":37635,"journal":{"name":"Kervan","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Kervan","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13135/1825-263X/2257","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
In the ancient South Asian texts about ritual known as Saṃhitā s and Brāhmaṇa s, the wives of the king play an interesting role in terms of bodily actions and ritual rhetoric. Especially the so-called “chief wife” ( mahi ṣ ī ) is described as a central and liminal player who serves as a sexual counterpart of the king at the main solemn rituals, i.e. Aśvamedha and Rājasūya, involving the travel of a horse in unconquered lands and the royal consecration, respectively. In this essay I suggest that the construction of female sexuality is a crucial point to fix the boundaries around the notion of authority, not only that of the king, but also that of his practitioner, i.e. the brāhmaṇa or purohita . From this starting point I suggest also that the chief wife of the king may be reconsidered as one of the most strategic actor on a ritual and political stage. I will try to show that the mahiṣī ’s sexual function in the ritual exegesis had gained value, in connection with the attempt to deify the human primus inter pares of the political organisation, i.e. the king. More specifically, I will deal with the ritual language and codification concerning the mahiṣī ’s sexuality in order to illustrate the formulation of her body in the rituals prescribed in the Brāhmaṇas about solemn rites. I will discuss how the persuasive force of description and prescription about her bodily actions served as a means of persuasion in displaying the king’s power. Finally, I suggest rethinking the role of gender in royal rituals from the perspective of literary criticism.
KervanArts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
18 weeks
期刊介绍:
The journal has three main aims. First of all, it aims at encouraging interdisciplinary research on Asia and Africa, maintaining high research standards. Second, by providing a global forum for Asian and African scholars, it promotes dialogue between the global academic community and civil society, emphasizing patterns and tendencies that go beyond national borders and are globally relevant. The third aim for a specialized academic journal is to widen the opportunities for publishing worthy scholarly studies, to stimulate debate, to create an ideal agora where ideas and research results can be compared and contrasted. Another challenge is to combine a scientific approach and the interest for cultural debate, artistic production, biographic narrative, etcetera. This journal wants to be original (even hybrid) also in its structure, where academic rigor should not hinder access to the vitality of experience and of artistic and cultural production.