{"title":"Voices of ambiguity – The GDR folk music revival movement (1976–1990): exploring lived musical experience and post-war German folk music discourses","authors":"Felix Morgenstern","doi":"10.1080/04308778.2018.1501956","DOIUrl":null,"url":null,"abstract":"ABSTRACT Following the ideological co-option of German folk music by the Nazi regime during the Third Reich (1933–1945), the genre’s performative practice was highly marginalized. Revivalists in both German post-war states initially recast German folk music in a recourse to the soundscape and song themes of Irish vernacular music, before reconnecting with a 19th century oppositional German folk song repertoire. In the GDR, songs of the 1848 Revolution were curated as the state’s ‘democratic’ cultural heritage and could not be readily censored. This allowed artists to perform historical folk songs to metaphorically critique circumstances existing in East Germany. Drawing upon fieldwork conducted among former GDR folk musicians, this paper explores their encounters in relation to established post-war German folk music discourses on the relationship between artists and state authorities. Concrete analysis of a 19th century emigration song uncovers how folk musicians could subversively pass comment on state-imposed travel restrictions to the West.","PeriodicalId":51989,"journal":{"name":"Folk Life-Journal of Ethnological Studies","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2018-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/04308778.2018.1501956","citationCount":"4","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Folk Life-Journal of Ethnological Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/04308778.2018.1501956","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FOLKLORE","Score":null,"Total":0}
引用次数: 4
Abstract
ABSTRACT Following the ideological co-option of German folk music by the Nazi regime during the Third Reich (1933–1945), the genre’s performative practice was highly marginalized. Revivalists in both German post-war states initially recast German folk music in a recourse to the soundscape and song themes of Irish vernacular music, before reconnecting with a 19th century oppositional German folk song repertoire. In the GDR, songs of the 1848 Revolution were curated as the state’s ‘democratic’ cultural heritage and could not be readily censored. This allowed artists to perform historical folk songs to metaphorically critique circumstances existing in East Germany. Drawing upon fieldwork conducted among former GDR folk musicians, this paper explores their encounters in relation to established post-war German folk music discourses on the relationship between artists and state authorities. Concrete analysis of a 19th century emigration song uncovers how folk musicians could subversively pass comment on state-imposed travel restrictions to the West.
期刊介绍:
Folk Life: Journal of Ethnological Studies is a journal devoted to the study of all aspects of traditional ways of life in Great Britain and Ireland. The journal publishes original, high quality, peer-reviewed research in the form of unsolicited articles, solicited papers (which are usually selected from those read at the Society"s annual conference) and of members" papers (which are usually short reports of work in progress). Work published in Folk Life may include, for example, papers dealing with the traditional ways of life of other countries and regions, which may be compared to or contrasted with those of Great Britain and Ireland.