“Nunca o imos conseguir”: Representacións da resistencia antifranquista nas narrativas de Luís Rei Núñez e Carlos G. Reigosa

IF 0.3 0 LITERATURE, ROMANCE
Diego Rivadulla Costa
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引用次数: 0

Abstract

Anti-Francoist resistance is one of the most common topics in the Galician novels of the 21st century. This article aims to examine two of the most representative books of this corpus: Expediente Artieda (2000) by Luís Rei Núñez and A vitoria do perdedor (2013) by Carlos G. Reigosa. The interpretation of the texts is based on the theoretical and methodological proposals of Cultural Memory Studies with the aim of analysing the representations that both offer of the opposition to Franco's regime, which are marked by the idea of defeat. In addition, the work focuses on some particular aspects, such as the construction of the characters, in order to show what is the ethical-political form of memory that each of the authors chooses in the fictionalisation of the collective traumatic past. A resistencia antifranquista é un dos temas recorrentes na novela galega da memoria do s. XXI. Estre artigo pretende realizar unha aproximación a dúas das obras máis representativas que conforman este corpus: Expediente Artieda (2000) de Luís Rei Núñez e A vitoria do perdedor (2013) de Carlos G. Reigosa. A lectura dos textos parte das propostas teórico-metodolóxicas dos estudos de memoria cultural co obxectivo de analizar as representacións que ambos ofrecen da oposición ao franquismo, marcadas pola idea da derrota. Alén diso, o traballo detense nalgúns aspectos particulares, como a construción dos personaxes, para mostrar cal é o modo ético-político de memoria polo que cada un dos autores avoga na súa ficcionalización do pasado traumático colectivo.
“我们永远不会成功”:Luís Rei Núñez和Carlos G.Reigosa叙事中反法抵抗的表现
反法语抵抗是21世纪加利西亚小说中最常见的主题之一。本文旨在考察该语料库中最具代表性的两本书:Luís Rei Núñez的《Expediente Artieda》(2000)和Carlos G.Reigosa的《A vitoria do perdedor》(2013)。对文本的解释基于文化记忆研究的理论和方法论建议,目的是分析两者对佛朗哥政权的反对,这些反对以失败为标志。此外,这部作品关注一些特定的方面,例如人物的构建,以展示每一位作者在虚构集体创伤过去时选择的记忆的伦理政治形式。反法抵抗是21世纪新记忆画廊中反复出现的主题之一。本文旨在对构成这一语料库的两部最具代表性的作品进行近似分析:《阿蒂埃达律师》(2000)de Luís Rei Nuñe z和《失败者的胜利》(2013)的Carlos G.Reigosa。阅读文本是文化记忆研究理论方法论建议的一部分,目的是分析它们都提供的表征,从反对到特许,以失败为标志。此外,作品在一些特定的方面停了下来,比如人物的构建,以展示每一位作者在虚构集体创伤过去时所倡导的道德政治记忆方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Estudios Romanicos
Estudios Romanicos LITERATURE, ROMANCE-
CiteScore
0.40
自引率
0.00%
发文量
28
审稿时长
4 weeks
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