Revision as Relation: Adapting Parable in Chigozie Obioma’s The Fishermen

IF 0.5 2区 文学 0 FILM, RADIO, TELEVISION
S. Heinz
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引用次数: 0

Abstract

This essay explores the connection between adaptation and parable in Chigozie Obioma’s debut novel The Fishermen (2015). Obioma’s adaptation of parable revises this narrative form as radically relational. This revision of parable is tied to an equally relational understanding of adaptive processes. Using parable as the frame for its complex mixture of Igbo and Yoruba mythology, Biblical stories, and Greek and Roman myth, among others, enables the novel to reinterpret all these sources in the context of postcolonial Nigeria. This process thereby challenges the belief that we can dispel colonial power structures by simply rejecting canonical stories and their discursive frameworks and it suggests, instead, a notion of identity as relational and transient. Ultimately, the novel proposes an ethics of relationality that can help to re-assess processes of revision and their political and cultural impact.
作为关系的修正:改编Chigozie Obioma的《渔夫》中的寓言
本文探讨了Chigozie Obioma的处女作《渔夫》(2015)中的改编与寓言之间的联系。Obioma对寓言的改编将这种叙事形式从根本上修正为关系。寓言的这种修订与对适应性过程的同样关系的理解联系在一起。使用寓言作为其伊博和约鲁巴神话、圣经故事、希腊和罗马神话等复杂混合的框架,使小说能够在后殖民时代的尼日利亚背景下重新解释所有这些来源。因此,这一过程挑战了这样一种信念,即我们可以通过简单地拒绝经典故事及其话语框架来消除殖民权力结构,相反,它提出了一种关系性和短暂性的身份概念。最终,这部小说提出了一种关系伦理学,可以帮助重新评估修订过程及其政治和文化影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.60
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0.00%
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