Writing Through and Writing Against: Materials of Resistance

K. Gale, J. Wyatt, Claudio Moreira, M. Diversi
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引用次数: 1

Abstract

This article concerns how writing, collaborative writing in particular, acts: how it moves, how it resists, how it does, the four humans writing alongside our co-authoring ‘materials’ – a guitar, for instance – and other more-than-human co-authors, such as affect, friendship, time. We explore writing against systems of oppression and writing through materials of resistance. Writing through can ignite the seething potentiality of a breaking through, and a writing towards the not-yet-known of other lives. We sense this as an unleashing that can act as a challenge to the self-perpetuating autopoieses that neoliberal autonomies and competitive frameworks require. Writing through materials of resistance offers an inducement to work towards the social capaciousness and the thinking with those collective orientations. Writing through refuses the surrender of freedom and offers, through practices of speculation, fabulation and experimentation, an animation of movement that can tap into the capacious fugitive energies of emergent and new collective futures.
写作与反对:抵抗的材料
这篇文章关注写作,尤其是合作写作,是如何运作的:它是如何移动的,它是如何抵抗的,它如何做到的,四个人与我们共同创作的“材料”(例如吉他)以及其他非人类的共同作者一起写作,如情感、友谊、时间。我们探索反对压迫制度的写作和通过抵抗材料的写作。通过写作可以点燃突破的沸腾潜力,以及对其他生命未知的写作。我们认为这是一种释放,可以挑战新自由主义自治和竞争框架所要求的自我延续的自我生成。通过抵抗材料写作提供了一种诱因,促使人们努力实现社会能力和具有这些集体取向的思维。写作拒绝了自由的投降,并通过猜测、虚构和实验的实践,提供了一种运动的动画,可以利用新兴集体未来的巨大逃亡能量。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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