The Lifecycle of Pottery Art Processes and Production in Mpraeso, Ghana

Abstract

Abstract The production of traditional earthenware is a prehistorical/archaeological and historical practice among women in Mpraeso, in the Eastern Region of Ghana. Although pottery has been a vibrant industry in Mpraeso since prehistorical and historical times, there is little known research or published literature regarding the raw materials used, the lifecycle of the production process, the tools of potting, and the socio-cultural and economic importance of the art. This study investigated the raw materials used, production techniques, and the socio-cultural and economic significance of pottery in Mpraeso to elucidate knowledge on pottery production by women and the symbolism and taboos around making pottery in Mpraeso. The cross-sectional study utilised qualitative techniques to collect data from women potters. The results are presented based on themes related to production processes. Production tools are local rudimentary objects, mostly of wood and metal, and production materials are of two kinds: clay materials and grog extracted from the locality. Pots are formed by the coiling method and open-fired. The pots are used for many domestic chores and for funerals, among other uses. Potting is a primary economic activity for women in Mpraeso. The industry needs to be developed in view of the role it plays in Mpraeso, as it promotes the transmission of culture and the art of pottery production and stimulates the local economy of Ghana.