RUINA HUMANA Y VIOLENCIA EN EL RELATO AUTOFICTICIO ESCOMBROS DE FERNANDO VALLEJO

Q2 Arts and Humanities
Olivia Margarita Villegas Cabrera
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引用次数: 0

Abstract

This article analyzes Fernando Vallejo’s novel Escombros (2021) in light of some theories related to ruins, the body and violence with the aim of showing that in Vallejo’s novel the protagonist becomes a human ruin as a result of tragic events (Zambrano, 2012) and of a ruination process of the body considered connatural to the human being (Nancy, 2000; Sofsky, 2006; Maurette, 2018). This character coexists tensely and violently with the rest of the characters, especially with the “disposable” beings, poor bodies subjected to symbolic violence (Bourdieu, 1995, 1997; Han, 2019) who are configured as human ruins in consequence of the capitalist economic progress (Zulaika, 2006; Benjamin, 2010) in a degrading world (Nancy, 2002).
费尔南多·瓦列霍(Fernando Vallejo)自我虚构的故事《瓦砾》中的人类毁灭和暴力
本文根据一些与废墟、身体和暴力有关的理论分析了费尔南多·瓦列霍的小说《Escombros》(2021),目的是表明在瓦列霍小说中,主人公由于悲剧事件(Zambrano,2012)和被认为是人类天生的身体的毁灭过程(Nancy,2000;Sofsky,2006;Maurette,2018)而成为人类的废墟。这个角色与其他角色紧张而暴力地共存,尤其是与“一次性”存在,即受到象征性暴力的可怜身体(Bourdieu,19951997;韩,2019),他们在一个有辱人格的世界中被配置为资本主义经济进步的人类废墟(Zulaika,2006;本杰明,2010)(Nancy,2002)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Nueva Revista del Pacifico
Nueva Revista del Pacifico Arts and Humanities-Literature and Literary Theory
CiteScore
0.50
自引率
0.00%
发文量
13
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