Skirting the abyss: Eastern European space and the limits of German Holocaust memory

Q1 Arts and Humanities
Jenny Watson
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引用次数: 1

Abstract

ABSTRACT This article discusses some of the ambivalences that arise in Western efforts to represent Eastern Europe in the context of Holocaust memory. Focusing on German-language literature, I examine how tropes of boundlessness, violence and contamination derived from the pre-WWI colonialist vision of 'the East' reassert themselves in various eras of representation, including recent works inspired by contemporary historiography. While the embrace of 'discoveries' about the history of the Holocaust in Eastern Europe signals an appetite among the German-speaking public to do away with historical ignorance, these discursive continuities suggest that the appetite for alterity is undiminished. The adoption of the term “Bloodlands” from Timothy Snyder's book of the same name is a case study in how fresh perspectives on Holocaust history can be decontextualized and co-opted, contributing to an imaginary landscape that is remarkably unchanged in the German context.
绕过深渊:东欧空间和德国大屠杀记忆的极限
摘要本文讨论了西方在大屠杀记忆背景下代表东欧的努力中出现的一些矛盾心理。以德语文学为中心,我研究了源自一战前殖民主义“东方”愿景的无边界、暴力和污染的比喻如何在不同的表现时代重新出现,包括受当代史学启发的近期作品。尽管对东欧大屠杀历史的“发现”的接受表明,讲德语的公众渴望摆脱历史上的无知,但这些话语的连续性表明,对矛盾的渴望并没有减弱。蒂莫西·斯奈德(Timothy Snyder)同名书中“血腥之地”一词的采用,是一个案例研究,说明如何对大屠杀历史的新观点进行去文本化和选择,从而形成一个在德国背景下显著不变的想象景观。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Holocaust Studies
Holocaust Studies Arts and Humanities-History
CiteScore
1.20
自引率
0.00%
发文量
31
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