Museums in the Long Now: History in the Geological Age of Humans

IF 0.4 3区 历史学 Q1 HISTORY
L. Robin
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引用次数: 1

Abstract

History in times of crisis is practical: future action depends on historical framing. Moving beyond “human scales” to include the evolutionary and the geological, and beyond humans to include other species, demands different approaches and new “archives” like ice-cores. This paper considers history in the Long Now, and particularly how museums and big public arts institutions develop new sorts of history through practical story-telling, taking seriously the notion that “the central role of museums [is] both an expression of cultural identity and … a powerful force for human development and education.” The museum has a particular value as “slow media”, deepening news stories in times of rapid change. The new epoch of Earth, the Anthropocene, where humans have become a geological force, poses challenges for exhibitions, but also reshapes museums themselves. Crucial to managing stories, collections and objects in Anthropocene times is the capacity to change course, to remain open to new developments, using performances, events and “pop-up” exhibitions alongside traditional museum offerings. New Museology regards stories as the fundamental unit of museums. Thus, the curation of stories is central work. No longer are museums defined solely by objects: the artistic and the ephemeral are all part of story-telling.
遥远的博物馆:人类地质时代的历史
危机时期的历史是实用的:未来的行动取决于历史框架。超越“人类尺度”,包括进化和地质,超越人类,包括其他物种,需要不同的方法和新的“档案”,如冰芯。本文考虑了长期的历史,特别是博物馆和大型公共艺术机构如何通过实际的故事讲述来发展新的历史,并认真对待“博物馆的核心作用既是文化身份的表达,也是人类发展和教育的强大力量”这一概念。博物馆作为“慢媒体”具有特殊的价值,在快速变化的时代加深新闻报道。人类世是地球的新时代,人类已成为一股地质力量,这给展览带来了挑战,但也重塑了博物馆本身。管理人类世时代的故事、藏品和物品的关键是改变方向,对新发展保持开放的能力,在传统博物馆产品的基础上,利用表演、活动和“弹出式”展览。新博物馆学把故事作为博物馆的基本单位。因此,故事的策划是核心工作。博物馆不再仅仅由物品来定义:艺术性和短暂性都是讲述故事的一部分。
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来源期刊
CiteScore
1.00
自引率
0.00%
发文量
10
期刊介绍: Philosophy of history is a rapidly expanding area. There is growing interest today in: what constitutes knowledge of the past, the ontology of past events, the relationship of language to the past, and the nature of representations of the past. These interests are distinct from – although connected with – contemporary epistemology, philosophy of science, metaphysics, philosophy of language, and aesthetics. Hence we need a distinct venue in which philosophers can explore these issues. Journal of the Philosophy of History provides such a venue. Ever since neo-Kantianism, philosophy of history has been central to all of philosophy, whether or not particular philosophers recognized its potential significance.
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