The Deconstruction of the Femininity of the Main Character in Andrea Hirata's Ayah Novel: Throwing the Shackles of Community Conventions

Arini Vika Sari
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Abstract

This study aims to uncover the femininity contained in the novel Ayah by Andrea Hirata with the female main character Marlena and the male main character Sabari. This research is a qualitative descriptive research using critical discourse analysis method. The data source is the novel Ayah by Andrea Hirata published in Bentang 2017. The technique of collecting data is by reading and recording on a data card. The data collection instrument is the human instrument or the researcher himself using a postmodern feminism approach. In analyzing the data, it was carried out in three stages, namely (1) word reduction; (2) data presentation; and (3) drawing conclusions. The results of deconstruction of femininity show that there are six forms of deconstruction of femininity in Andrea Hirata's novel Ayah, namely: feminine image, feminine desire, beauty, feminine habits, feminine work, and feminine principles. Femininity in the novel Ayah is owned and practiced by the female main character and the male main character who have strengths and weaknesses. Through the deconstruction of postmodern femininity, Andrea Hirata is able to present the main character as the subject of the construction of femininity who tries to free himself from the shackles of society's conventions. This research is a qualitative descriptive research using critical discourse analysis paradigm. Critical discourse analysis is used to find out how men and women are narrated and presented in Andrea Hirata's Ayah novel. The representation between men and women can show the role of patriarchal ideology which has been subordinated to masculinity in constructing femininity. The data source used in this research is the novel Ayah by Andrea Hirata published in Bentang 2017. The research data is in the form of text in the form of words, phrases and sentences contained in the novel Ayah by Andrea Hirata published in Bentang 2017.
平田百合小说中主角女性气质的解构:挣脱社会习俗的束缚
本研究旨在揭示安德里亚·平田以女性主人公玛莲娜和男性主人公萨巴里为主角的小说《阿亚》所蕴含的女性气质。本研究采用批评话语分析法进行定性描述性研究。数据来源为2017年本塘出版的平田安德烈的小说《Ayah》。收集数据的技术是通过读取和记录在数据卡上。数据收集工具是人的工具或研究者自己使用后现代女性主义的方法。在分析数据时,分三个阶段进行,即(1)词约简;(2)数据展示;(3)得出结论。对女性气质的解构结果表明,平田小说《绫》中的女性气质存在六种解构形式,即女性形象、女性欲望、女性美、女性习惯、女性工作和女性原则。小说《阿亚》中的女性气质是由女性主角和男性主角共同拥有和践行的,他们各有优缺点。通过对后现代女性气质的解构,平田Andrea将主人公塑造为试图摆脱社会习俗束缚的女性气质建构的主体。本研究是运用批判性话语分析范式的定性描述性研究。本文运用批判话语分析的方法,探讨了平田小说《丫鬟》中男女是如何被叙述和呈现的。男权意识形态在建构女性气质的过程中一直处于男性气质的从属地位,而男权意识形态在建构女性气质的过程中扮演着重要的角色。本研究使用的数据来源是Andrea Hirata于2017年在Bentang出版的小说《Ayah》。研究数据以文本形式呈现,以单词、短语和句子的形式出现在2017年本塘出版的Andrea Hirata的小说《Ayah》中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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