“Pricking on the plaine”: Romance and Recursive Regeneration in The Faerie Queene, Book 1

IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS
Brice Peterson
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引用次数: 0

Abstract

Abstract:Scholars have spent considerable time grappling with the erratic sequence of events that comprise Redcrosse’s regeneration or spiritual rebirth in book 1 of Edmund Spenser’s The Faerie Queene. While they have recognized the ecumenical dynamics of the knight’s spiritual progression, they have not accounted for the way in which his rebirth includes pitfalls and setbacks that disrupt its order. This article turns to early modern Protestant regeneration treatises—religious works that center on the topic of rebirth— to find a discourse that characterizes regeneration as an uneven process, which includes false starts and stops along the way to salvation. Reading through the lens of that discourse, we can see how Redcrosse’s peripatetic pricking through Faeryland depicts a recursive rebirth punctuated by episodes of false regeneration that erroneously start and stop his spiritual growth. Ultimately, Spenser demonstrates romance’s compatibility with Protestant allegory by using the circuitous narrative structure of the knight’s quest to metaphorize the recursive nature of rebirth. Indeed, the haphazard movement of the knight “pricking on the plaine” deftly allegorizes the backsliding, digression, and delay associated with regeneration.
“刺破平原”:《精灵女王》中的浪漫与递归再生,第1册
摘要:学者们花了相当多的时间来研究埃德蒙·斯宾塞《仙后》第一卷中雷德克罗斯重生或精神重生的一系列不稳定事件。虽然他们已经认识到骑士精神进步的普世动力,但他们并没有解释他的重生包括陷阱和挫折的方式,这些陷阱和挫折破坏了它的秩序。本文转向早期现代新教关于重生的论述——以重生为主题的宗教著作——寻找一种话语,将重生描述为一个不平衡的过程,在通往救赎的道路上包括错误的开始和停止。透过这段话语的镜头,我们可以看到雷德克罗斯在《仙境》中的漫游是如何描绘了一种递归的重生,其中穿插着错误的重生,错误地开始和停止了他的精神成长。最后,斯宾塞通过骑士追求的迂回叙事结构来隐喻重生的递归本质,证明了浪漫主义与新教寓言的兼容性。事实上,骑士“在平面上刺”的随意动作巧妙地寓言了与重生相关的倒退、偏离和延迟。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
20
期刊介绍: Founded in 1903, Studies in Philology addresses scholars in a wide range of disciplines, though traditionally its strength has been English Medieval and Renaissance studies. SIP publishes articles on British literature before 1900 and on relations between British literature and works in the Classical, Romance, and Germanic Languages.
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