Creating a musical for pre-schoolers in South Africa as pedagogical praxis for a tertiary music education module

IF 1 3区 教育学 Q3 EDUCATION & EDUCATIONAL RESEARCH
Mignon van Vreden
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引用次数: 0

Abstract

Abstract Despite a renewed interest in educational practices to develop future music educators in South Africa for a rapidly changing professional landscape, little is known about the meaning students themselves ascribe to these practices towards their own development as music educators. This instrumental case study investigated the learning experiences of second-year BMus students creating a musical for pre-schoolers. Data were collected through interviews, observations and reflective journals. Six themes emerged through a thematic analysis of student experiences, namely interaction, preparation, skills development, stagecraft, performance and enjoyment. A conceptual model that explains the production of a musical as a pedagogical praxis connects these themes with existing literature on three teaching and learning approaches that framed the study, namely authentic arts-based pedagogy, project-based learning and community of practice.
为南非的学前儿童创作音乐剧,作为高等音乐教育模块的教学实践
摘要尽管人们对教育实践重新产生了兴趣,以培养南非未来的音乐教育工作者,适应快速变化的专业环境,但人们对学生自己将这些实践归因于他们自己作为音乐教育工作者的发展的意义知之甚少。这项器乐案例研究调查了BMus二年级学生为学龄前儿童创作音乐剧的学习经历。数据是通过访谈、观察和反思性期刊收集的。通过对学生经历的主题分析,得出了六个主题,即互动、准备、技能发展、舞台技巧、表演和享受。一个解释音乐剧制作作为教学实践的概念模型将这些主题与构成研究框架的三种教学方法的现有文献联系起来,即基于真实艺术的教学法、基于项目的学习和实践社区。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
2.40
自引率
10.00%
发文量
37
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