Music as Liberal Art: the Continuing Relevance of Medieval Music Pedagogy in Teacher Education

Matthew C. Balensuela
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Abstract

The concepts and ideas of the medieval liberal arts continue to have important relevance in modern training music teachers. The division between a theoretical knowledge about music and a practical experience of musical activities (divisions that might be described as musica speculativa and musica practica) is also being played out in the training of public school teachers in debates regarding the concept of ‘praxialism’ in music education as can be seen in four specific areas: (1) textbooks for courses on the history of music education, (2) resources used in teaching the philosophy of music education, (3) examples of medieval music in contemporary K-12 education, and (4) the scholarship on teaching and learning as applied to music of the Middle Ages. Extending the concept of ‘praxialism’ broadly to include how we teach early music at the college level to future public school teachers may further the discussion of the relevance of medieval music in a positive direction.
作为自由艺术的音乐:中世纪音乐教育学在教师教育中的持续相关性
中世纪文科的概念和思想在现代音乐教师培训中仍然具有重要意义。关于音乐的理论知识和音乐活动的实践经验之间的划分(可以被描述为推测音乐和实践音乐)也在公立学校教师的培训中进行,他们就音乐教育中的“实践主义”概念进行了辩论,这可以从四个具体领域看出:(1)音乐教育史,(2)音乐教育哲学教学中使用的资源,(3)中世纪音乐在当代K-12教育中的例子,以及(4)中世纪音乐的教学学术。将“实践主义”的概念广泛扩展到包括我们如何在大学层面向未来的公立学校教师教授早期音乐,可能会朝着积极的方向进一步讨论中世纪音乐的相关性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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