Jim Crow Onstage: Three Black Actresses in Alice Childress’s Plays

IF 0.1 4区 文学 0 LITERATURE
CEA CRITIC Pub Date : 2021-05-27 DOI:10.1353/CEA.2021.0008
Y. Shih
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引用次数: 0

Abstract

Abstract:The exclusion of black actresses in theatre, in fact, symbolizes the marginalization of black women in society. This essay studies three black actresses in Childress’s plays, Florence (1949), Trouble in Mind: A Comedy-Drama in Two Acts (1955), and Moms: A Praise Play for a Black Comedienne (1987), to see how they are oppressed and then resist sexism and racism in theatre and society…. These three women devote themselves to acting and performances; however, because of racial and gender bias against them, they are positioned on the periphery of American theatre.
舞台上的吉姆·克劳:爱丽丝·蔡尔德里斯戏剧中的三位黑人女演员
摘要:黑人女演员在戏剧中的排斥,实际上象征着黑人女性在社会中的边缘化。本文以柴尔德里斯的戏剧《弗洛伦斯》(1949)、《烦恼:两幕喜剧》(1955)和《妈妈:黑人喜剧女演员的赞美剧》(1987)中的三位黑人女演员为研究对象,观察她们在戏剧和社会中是如何受到压迫并反抗性别歧视和种族主义的....这三个女人致力于表演和表演;然而,由于对他们的种族和性别偏见,他们被定位在美国戏剧的边缘。
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来源期刊
CEA CRITIC
CEA CRITIC LITERATURE-
CiteScore
0.20
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9
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