There is no “East”: Deconstructing the idea of Asia and rethinking the disciplines working on it

Q2 Arts and Humanities
Kervan Pub Date : 2018-11-19 DOI:10.13135/1825-263X/2252
E. Freschi
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引用次数: 0

Abstract

This introduction summarises the steps which led the scholars grouped in the Coffee Break group to undertake the project and then accompanied them from the awareness of the need to deconstruct the idea of geographic boundaries and, consequently, of area studies such as “Indology” or “South Asian studies”, to the need to deconstruct disciplines such as “Philology” or “Literature” themselves, since they are also historically and culturally loaded and risk to tell one more about their subjects than about their alleged objects of study. This pars destruens is followed by a pars construens suggesting as an alternative a situated epistemology which refutes to essentialise the “Other” and, on a more practical level, by the constant implementation of team work.
没有“东方”:解构亚洲思想并重新思考与之相关的学科
本导言总结了导致“咖啡休息”小组的学者们进行这个项目的步骤,然后伴随着他们从意识到需要解构地理边界的概念,以及因此需要解构“印度学”或“南亚研究”等区域研究,到需要解构“文献学”或“文学”等学科本身。因为他们也背负着历史和文化的重担,他们可能会告诉人们更多关于他们的主题,而不是他们所谓的研究对象。在这个“解构论”之后,是一个“解释论”,它提出了一种替代性的情境认识论,这种认识论驳斥了“他者”的本质化,在更实际的层面上,通过不断地实施团队合作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Kervan
Kervan Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
18 weeks
期刊介绍: The journal has three main aims. First of all, it aims at encouraging interdisciplinary research on Asia and Africa, maintaining high research standards. Second, by providing a global forum for Asian and African scholars, it promotes dialogue between the global academic community and civil society, emphasizing patterns and tendencies that go beyond national borders and are globally relevant. The third aim for a specialized academic journal is to widen the opportunities for publishing worthy scholarly studies, to stimulate debate, to create an ideal agora where ideas and research results can be compared and contrasted. Another challenge is to combine a scientific approach and the interest for cultural debate, artistic production, biographic narrative, etcetera. This journal wants to be original (even hybrid) also in its structure, where academic rigor should not hinder access to the vitality of experience and of artistic and cultural production.
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