The anatomical representation of the human body: From epistemological examples deriving from medical history to morphometric imaging performed with the laser scanner technique

Q4 Medicine
G. Gelati, F. Paternostro, A. Conti, G. Orlandini
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Abstract

The anatomical illustration of the human body is a topic rich in epistemological elements in the course of medical history. Since ancient times concerns about the real correspondence of the scientific and/or artistic representation of human anatomy with the original one arose. First of all, a static two-dimensional representation, the one typical of drawings, was not able to get the depth and complexity of dynamic three-dimensional anatomical morphology. In addition, the epistemic issue that a post-mortem illustration could not somehow correspond to living structures was present even in the past. For a long time the anatomical representation of the human body has been attracting the interest of medical doctors, artists, scholars and philosophers as a fact-finding technique of dissection of corpses preparatory to curative surgical practice in the living body. With regard to that, in the Western world the sixteenth century is often seen as the golden age of normal and macroscopic human anatomy. Major steps in the evolution of the anatomical discipline are the switch from the “normal” to the “pathological” area during the seventeenth century and the transition from the macroscopic to the microscopic level in the eighteenth century; that is true also from an illustrative and iconographic point of view. The tradition of setting up three-dimensional models for the study of the human body dates back to the eighteenth century too. Today’s research techniques in the field of anatomical images are so advanced that they allow the full conformity of human representation, the continuous availability of preserved images, the complete multi-dimensionality of the rendering and the complete dynamism of the whole view. In this context, laser scanner could be the ideal tool to create a new Atlas of Human Anatomy composed of models which are rotatable, observable from every perspective, absolutely faithful to reality, analysable as in a real dissection and carefully measurable.
人体的解剖表征:从医学历史的认识论例子到用激光扫描技术进行的形态测量成像
人体解剖图解是医学史上一个充满认识论元素的课题。自古以来,人们就开始关注人体解剖的科学和/或艺术表现与原始解剖的真正对应关系。首先,一种典型的静态二维表示,无法获得动态三维解剖形态的深度和复杂性。此外,即使在过去,死亡后的插图也不能以某种方式与生活结构相对应的认知问题也存在。长期以来,人体解剖表现一直是医生、艺术家、学者和哲学家的兴趣,作为一种解剖尸体的事实发现技术,为在活体上进行治疗性外科实践做准备。因此,在西方世界,16世纪通常被视为正常和宏观人体解剖学的黄金时代。解剖学学科发展的主要步骤是17世纪从“正常”领域向“病理”领域的转变,以及18世纪从宏观层面向微观层面的转变;从图解和图像的角度来看也是如此。为人体研究建立三维模型的传统也可以追溯到18世纪。当今解剖图像领域的研究技术是如此先进,以至于它们可以完全符合人类的表现,保存图像的连续可用性,渲染的完全多维性和整个视图的完全动态性。在这种情况下,激光扫描仪可能是创建一个新的人体解剖学图谱的理想工具,该图谱由可旋转的模型组成,从各个角度观察,绝对忠实于现实,可像真实解剖一样分析并仔细测量。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
1
期刊介绍: The Italian Journal of Anatomy and Embryology, founded in 1901 by Giulio Chiarugi, Anatomist at Florence University, is a peer-reviewed journal sponsored by the Italian Society of Anatomy and Embryology. The journal publishes original papers, invited review articles, historical article, commentaries, obituitary, and book reviews. Its main focus is to understand anatomy through an analysis of structure, function, development and evolution. Priority will be given to studies of that clearly articulate their relevance to the anatomical community. Focal areas include: experimental studies, contributions based on molecular and cell biology and on the application of modern imaging techniques; comparative functional morphology; developmental biology; functional human anatomy; methodological innovations in anatomical research; significant advances in anatomical education. Studies that are essentially descriptive anatomy are appropriate only if they communicate clearly a broader functional or evolutionary significance. All papers should be submitted in English and must be original works that are unpublished and not under consideration by another journal. An international Editorial Board and reviewers from the anatomical disciplines guarantee a rapid review of your paper within two to three weeks after submission.
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