From mass popular to bastardized popular

IF 1.6 3区社会学 Q1 ANTHROPOLOGY

Cultural Studies Pub Date : 2023-06-27 DOI:10.1080/09502386.2023.2222758

Omar Rincón

引用次数: 0

Abstract

ABSTRACT This essay acknowledges the theoretical contributions, the perspective and the practices carried out by Jesús Martín-Barbero concerning the popular in connection with the cultural industry and the acknowledgment of what is our own in Latin America. Based on the Martin-Barberian concept of mass popular and without losing his contribution, a conceptual re-invention is suggested to report on the meaning of entertainment, coolture and celebrity citizenship that define mainstream pop in the XXI century. In this re-invention, it is suggested that popular is defined from the bastardization of mixing together the pop, the popular, the territorial and the ancestral.

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从大众流行到低俗流行

摘要：本文承认Jesús Martín-Barbero在文化产业中对大众的理论贡献、观点和实践，以及对我们在拉丁美洲的认可。基于马丁·巴伯的大众流行概念，在不损失其贡献的情况下，提出了一个概念上的重新发明，以报告21世纪定义主流流行的娱乐、酷和名人公民身份的意义。在这一重新发明中，有人认为流行是由流行、流行、地域和祖先混合在一起的贵族化定义的。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Cultural Studies Multiple-

CiteScore

3.50

自引率

6.70%

发文量

期刊介绍： Cultural Studies is an international journal which explores the relation between cultural practices, everyday life, material, economic, political, geographical and historical contexts. It fosters more open analytic, critical and political conversations by encouraging people to push the dialogue into fresh, uncharted territory. It also aims to intervene in the processes by which the existing techniques, institutions and structures of power are reproduced, resisted and transformed. Cultural Studies understands the term "culture" inclusively rather than exclusively, and publishes essays which encourage significant intellectual and political experimentation, intervention and dialogue.