Is The Merchant of Venice a Comedy or a Tragicomedy?

IF 0.1 0 LITERATURE
C. R. Ludwig
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引用次数: 0

Abstract

This essay aims at discussing some issues in the play The Merchant of Venice, by William Shakespeare. Even though some may assume that the play is a comedy, the problem of its literary genre is a rather problematic issue today. Some critics debate its inclusion in the comedies, because it is not at all a funny play. The label ‘comedy’ did not suggest that it was a funny play in Shakespeare’s age. If some critics think that it is not a funny play, Shakespeare may have designed Shylock as a tragic character. In fact, the play’s effects of Shylock’s energy and tragic dimensions deeply influenced the audience in the moment when it was first staged. This essay first discusses the problem pathos and inwardness in Shylock’s speech. After that, it discusses the issue of literary genre and argues that it should be classified as a tragicomedy.
《威尼斯商人》是喜剧还是悲喜剧?
本文旨在探讨莎士比亚戏剧《威尼斯商人》中的一些问题。尽管有些人可能认为这部剧是一部喜剧,但它的文学类型问题在今天是一个相当有问题的问题。一些评论家对它被纳入喜剧进行了争论,因为它根本不是一部搞笑的戏剧。“喜剧”这个标签并没有表明这是莎士比亚时代的一部滑稽剧。如果一些评论家认为这不是一部搞笑的戏剧,莎士比亚可能把夏洛克设计成了一个悲剧人物。事实上,这部剧在最初上演的那一刻,就深深地影响了观众。本文首先探讨了夏洛克演讲中的问题的悲情性和内在性。然后,对文学类型问题进行了探讨,认为应将其归为悲喜剧。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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