Ficções queer brasileiras: anotações para um dossiê

G. Oliveira, Marcio Markendorf
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引用次数: 0

Abstract

The literary canon is still based on an exclusionary model – male, white, heterosexual, middle class – that ends up instilling invisibilities in literary life, as evidenced by the low presence of LGBTQI+ authorship in hegemonic publishers and/or LGBTQI+ characters exercising role of protagonists in narratives. In the contemporary scenario, in which the political agendas of gender and race/ethnicity studies showed their urgency, it is necessary to underline how representation and representativeness in the literature has been discussed. More than ever, the power of identification between reader and literature has been demonstrated in the construction and strengthening of individual subjectivities, a fact that makes it worrying that there are few works that LGBTQI+ people can target. Against the exclusionary canon, non-hegemonic characters in action would not be enough, but literary or literary criticism projects that questioned the normalizing devices and technologies of the body and gender would be necessary. This text, in this sense, aims to present minimally the questions that guided the call for a dossier of Brazilian fictions that had queer as a key to political and aesthetic reading.
巴西酷儿小说:档案笔记
文学经典仍然建立在排斥模式的基础上——男性、白人、异性恋者、中产阶级——这最终在文学生活中灌输了无形的东西,霸权出版商和/或在叙事中扮演主角的LGBTQI+角色中的LGBTQI+作者比例较低就证明了这一点。在当代情况下,性别和种族/族裔研究的政治议程显示出其紧迫性,有必要强调如何讨论文献中的代表性和代表性。读者和文学之间的认同力比以往任何时候都更体现在个人主体性的建构和强化上,这一事实令人担忧的是,LGBTQI+人群可以针对的作品很少。在排斥性的经典中,非霸权角色在行动中是不够的,但质疑身体和性别的正常化手段和技术的文学或文学批评项目是必要的。从这个意义上说,这篇文章旨在最低限度地提出一些问题,这些问题指导了对巴西小说档案的呼吁,这些小说将酷儿作为政治和美学阅读的关键。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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