„Videmus nunc per speculum“ Selbstrepräsentation und Belehrung auf dem Kupferstich in Aenigma theologicum von Álvaro de Cienfuegos

IF 10.4 Q1 ENGINEERING, CHEMICAL
Imre Gábor Majorossy
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引用次数: 0

Abstract

The paper deals with the copperplate engraving that stands at the beginning of the main theological treatise of Álvaro de Cienfuegos, bishop of Pécs (Hungary) between 1737 and 1739. The sophisticated work includes also an artistic engraving which is clearly part of the written treatise. The study aims to point out how comprehensively the engraving presents the author's basic intellectual attitude and essential details of the theoretical work. It is a real challenge for the audience of all times: Only in the case of a successful decoding it is possible to feel not only worthy, but also suitable and prepared to read, study and understand the two-volume treatise.
“Videmus nunc per speculum”阿尔瓦罗·德·西恩富戈斯在《埃尼格玛神学》中的自我再现和雕刻教学
本文论述了1737年至1739年间佩茨(匈牙利)主教阿尔瓦罗·德·西恩富戈斯(Álvaro de Cienfuegos)主要神学论文开头的铜版版画。这件复杂的作品还包括一个艺术雕刻,这显然是书面论文的一部分。本研究旨在指出版画如何全面地呈现作者的基本知识态度和理论工作的基本细节。这对所有时代的观众来说都是一个真正的挑战:只有在成功解码的情况下,才有可能感到不仅有价值,而且适合阅读、学习和理解这篇两卷本的论文。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Hungarian Studies
Hungarian Studies Arts and Humanities-Arts and Humanities (all)
CiteScore
10.60
自引率
0.00%
发文量
15
期刊介绍: Hungarian Studies intends to fill a long-felt need in the coverage of Hungarian studies by offering an independent, international forum for original papers of high scholarly standards within all disciplines of the humanities and social sciences (literature, philology, ethnology, folklore, musicology, art history, philosophy, history, sociology, etc.) pertaining to any aspects of the Hungarian past or present. In addition, every issue will carry short communications, book reviews and miscellaneous information - all features of interest to the widening audience of Hungarian studies. Publishes book reviews and advertisements.
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