A Grounded Theory of Culturally Responsible Music Teaching

IF 1.2 4区 教育学 Q2 EDUCATION & EDUCATIONAL RESEARCH
C. Bennett
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引用次数: 1

Abstract

The purpose of this study was to examine the nature of culturally responsible music teaching (CRMT) from the perspective of U.S. music teachers working in various formal settings. “Cultural responsibility” is an emergent concept regarding teaching and learning that (a) connects with students’ cultural frames and lived experiences, (b) empowers students in their own construction of knowledge and art, and (c) opens students to multiple viewpoints and perspectives on the world and music so that students will have meaningful music experiences and a more meaningful life due to music. I selected a constructivist grounded theory methodology to examine the development of cultural responsibility as a complex, detailed process over time. I sought and found 31 participants who identified as progressive K–12 music teachers who empower diverse learners. Thirteen facets of cultural responsibility were found: inviting, relatable, reachable, interactive, active and student-driven, creativity-based, musically diverse, interdisciplinary, multimodal, enjoyable, heartfelt, crafted, and determined teaching and learning. Music teachers described engaging students in such processes in various, distinct ways. Data revealed that music teachers are more or less culturally responsible because of the elements (methods, aims, and beliefs) of their pedagogy and, in relation, the presence or absence of each facet.
文化责任音乐教学的扎根理论
本研究的目的是检视文化责任音乐教学(CRMT)的本质,从美国音乐教师的角度在各种正式环境中工作。“文化责任”是一个新兴的教与学概念,它(a)与学生的文化框架和生活经验联系在一起,(b)赋予学生自主建构知识和艺术的权力,(c)让学生对世界和音乐有多种观点和视角,让学生获得有意义的音乐体验,让音乐让人生更有意义。我选择了一种基于建构主义的理论方法,将文化责任的发展作为一个复杂而详细的过程来考察。我寻找并找到了31名参与者,他们被认为是进步的K-12音乐教师,他们赋予不同的学习者权力。他们发现了文化责任的13个方面:邀请、相关、可达、互动、积极和学生驱动、以创造力为基础、音乐多样化、跨学科、多模式、愉快、真诚、精心设计和坚定的教学和学习。音乐教师描述了以各种不同的方式让学生参与这些过程。数据显示,音乐教师或多或少负有文化责任,因为他们的教学法的要素(方法、目标和信仰),以及与之相关的每个方面的存在或不存在。
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来源期刊
CiteScore
3.40
自引率
7.10%
发文量
20
期刊介绍: The quarterly Journal of Research in Music Education comprises reports of original research related to music teaching and learning. The wide range of topics includes various aspects of music pedagogy, history, and philosophy, and addresses vocal, instrumental, and general music at all levels, from early childhood through adult.
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