Personal Politics in the Postwar World: Western Diplomacy Behind the Scenes

IF 0.5 2区 历史学 Q1 HISTORY
Alexandra Penler
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引用次数: 3

Abstract

more remote or at odds with the image of Ireland he thought he recognised. Across the book, O’Malley effectively demonstrates that O’Neill’s purist approach to cataloguing traditional Irish music was always vulnerable, if not deeply flawed – something the Chief seems to have understood himself by the end of his life, if the coincidence of Douglas Hyde with the Harlem Hellfighters in that late scrapbook are taken as evidence. In a similar vein, O’Malley successfully and quite brilliantly argues, through O’Neill’s story, for an approach to Irish studies that is led by the kind of assurance and connective thinking which places national and diasporic cultures in dialogue with the rest of the world. In doing so, he advocates for the potential and continuing relevance of the discipline.
战后世界中的个人政治:幕后的西方外交
与他认为自己认识的爱尔兰形象更遥远或不一致。在整本书中,奥马利有效地证明了奥尼尔对传统爱尔兰音乐进行分类的纯粹主义方法总是脆弱的,如果不是严重缺陷的话——如果道格拉斯·海德与哈莱姆地狱战士在后期剪贴簿中的巧合可以作为证据的话,酋长似乎在他生命的最后时刻已经明白了这一点。同样,通过奥尼尔的故事,奥马利成功地、相当出色地论证了一种以一种保证和联系思维为主导的爱尔兰研究方法,这种思维将民族和散居文化置于与世界其他地区的对话中。在这样做的过程中,他提倡该学科的潜力和持续的相关性。
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来源期刊
CiteScore
0.70
自引率
16.70%
发文量
72
期刊介绍: Cultural & Social History is published on behalf of the Social History Society (SHS). Members receive the journal as part of their membership package. To join the Society, please download an application form on the Society"s website and follow the instructions provided.
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