JOGO COMO UMA EXISTÊNCIA DIFERENTE'S CREATIVITY

IF 0.1 0 LITERARY THEORY & CRITICISM
Tetiana Lysokolenko, Vadym Palahuta
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引用次数: 0

Abstract

Consideration is being given to the phenomenon of play, through which another, different from the existing, ontological layer is created, revealing the little-known facets of culture and aesthetic activity in the heritage of Mikhail Bakhtin, the famous culturologist. The conducted research makes it possible to state the following. Play as a phenomenon is inextricably linked with the main themes of Bakhtin's work, being included in the concepts of dialogism, polylogue, carnival culture, and the theory of aesthetic activity. Play, in the aspect of interconnection with culture through art, stands as another being in which life is played out. In the carnival, the value space of the play is created; the play itself is complex and diverse. The ambivalence of the play is perceived as an attempt to express it in various planes of real life. The binarity of the play in the space of the carnival is revealed through the category of anti-structure. Play, in the space of the carnival, is defined as a play of life, is another being, declared by the author to be an extraterritorial space.
游戏是一种不同的存在创造力
考虑到游戏现象,通过它创造了另一个不同于现有的本体论层,揭示了著名文化学家米哈伊尔·巴赫金遗产中鲜为人知的文化和审美活动方面。通过所进行的研究,可以得出以下结论。游戏作为一种现象与巴赫金作品的主题有着千丝万缕的联系,被包括在对话、多语、狂欢文化和审美活动理论的概念中。游戏,在通过艺术与文化相联系的方面,是另一种生命在其中上演的存在。在狂欢中,创造了戏剧的价值空间;戏剧本身是复杂而多样的。剧中的矛盾心理被认为是试图在现实生活的各个层面上表达出来的。戏剧在狂欢空间中的二元性是通过反结构的范畴揭示出来的。在狂欢的空间里,游戏被定义为一种生活的游戏,是另一种存在,被作者宣布为一个域外空间。
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来源期刊
Revista Critica Cultural
Revista Critica Cultural LITERARY THEORY & CRITICISM-
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