{"title":"Na robu modernizma: (prvi) violinski koncert Lucijana Marije Škerjanca","authors":"Gregor Pompe","doi":"10.3986/DMD14.1.01","DOIUrl":null,"url":null,"abstract":"With his (First) Violin Concerto, written in the time of his studies in Paris between 1924 and 1927, Lucijan Marija Skerjanc arrived at the brink of European Modernism, although he later quickly abandoned this path. An analysis of the concerto reveals that it is written not in a free improvisatory vein, but rather in the form of variations on a folk theme of South Slavonic origin. The analysis reveals various stylistic strands (the opulent orchestral sound of Stravinsky, Bartok-like folklorism, machine music, Neo-Baroque). Rather than being understood in an eclectic sense, these strands should be viewed as an active search for the new by this composer.","PeriodicalId":38033,"journal":{"name":"De Musica Disserenda","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"De Musica Disserenda","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3986/DMD14.1.01","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
With his (First) Violin Concerto, written in the time of his studies in Paris between 1924 and 1927, Lucijan Marija Skerjanc arrived at the brink of European Modernism, although he later quickly abandoned this path. An analysis of the concerto reveals that it is written not in a free improvisatory vein, but rather in the form of variations on a folk theme of South Slavonic origin. The analysis reveals various stylistic strands (the opulent orchestral sound of Stravinsky, Bartok-like folklorism, machine music, Neo-Baroque). Rather than being understood in an eclectic sense, these strands should be viewed as an active search for the new by this composer.
期刊介绍:
De musica disserenda is an international journal of musical scholarship. It is published by the Institute of Musicology ZRC SAZU (Scientific Research Centre of the Slovenian Academy of Sciences and Arts) at the ZRC Publishing (Založba ZRC). The journal is publishing musicological as well as interdisciplinary articles regarding music, with a special attention given to the texts on history of music on the territory of today’s Slovenia in wider European context. Individual issues of the journal with various dissertations are published twice a year, while thematic double issues are published at the end an individual year. The articles are published in Slovenian, English, German, French or Italian languages, with keywords and abstracts in English and Slovenian. A longer summary in Slovenian or English is given at the end of each article.