Mapping Grounds for Infrastructural Reparations in Jaraguá Peak

IF 1.1 2区 社会学 Q2 ANTHROPOLOGY
L. Pappalardo
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引用次数: 0

Abstract

For the Guarani Mbya, ka'aguy (Atlantic Forest) is sacred. Yet, only 12 percent of the Atlantic Forest's original coverage remains. A portion of that is in Jaraguá Peak. Two hundred years ago, São Paulo was ka'aguy. São Paulo's urban growth and the expansion of infrastructural networks (roads, power lines, dams) have disrupted Guarani infrastructures (the presence of Atlantic Forest, the continuity of paths between Guarani villages, access to clean water). Nonetheless, Guarani communities in São Paulo remake Guarani geographies every day, resisting Atlantic Forest encroachment and circumventing colonial networks. Guarani communities in the north and south of São Paulo hold a crucial infrastructural and environmental role for the entire city, increasing São Paulo's environmental security by recovering degraded soils and recuperating Atlantic Forest areas. This project maps the history of infrastructural expansion in Jaraguá Peak. It represents the history of each infrastructural layer (roads, telecommunication towers, power lines) in sectional maps that expose long-term changes on the ground.
雅拉古峰基础设施修复测绘依据
对于瓜拉尼人来说,ka'aguy(大西洋森林)是神圣的。然而,大西洋森林的原始覆盖率只剩下12%。其中一部分位于Jaraguá峰。两百年前,圣保罗还是卡盖。圣保罗的城市发展和基础设施网络(道路、电力线、大坝)的扩张扰乱了瓜拉尼的基础设施(大西洋森林的存在、瓜拉尼村庄之间道路的连续性、清洁水的供应)。尽管如此,圣保罗的瓜拉尼人社区每天都在重塑瓜拉尼人的地理位置,抵抗大西洋森林的侵占,绕过殖民网络。圣保罗北部和南部的瓜拉尼社区在整个城市的基础设施和环境方面发挥着至关重要的作用,通过恢复退化的土壤和恢复大西洋森林地区,提高了圣保罗的环境安全。该项目描绘了JaraguáPeak基础设施扩建的历史。它在剖面图中代表了每个基础设施层(道路、电信塔、电线)的历史,揭示了地面的长期变化。
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来源期刊
Public Culture
Public Culture Multiple-
CiteScore
2.10
自引率
6.70%
发文量
34
期刊介绍: Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.
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