Time and the Rhetoric of Capital

IF 1.1 2区社会学 Q2 ANTHROPOLOGY

Public Culture Pub Date : 2023-03-29 DOI:10.1215/08992363-10202444

引用次数: 0

Abstract

Lauren Berlant, Moishe Postone, and Michael Silverstein were colleagues at the University of Chicago for over thirty years. Postone was one of the leading Marxist thinkers in the world; Silverstein was the leading linguistic anthropologist of his generation; and Berlant was the most influential literary theorist of her generation. This article examines whether Marxism, semiotic linguistics, and literary studies are compatible. However, we will have to go back to the “linguistic turn” and revisit some older debates about the role of rhetoric. But a revitalized rhetoric of temporality will answer the questions that Benedict Anderson raised almost forty years ago: How do the temporalities of capital and narration interact to create new social affects and emotions? What would a Marxist approach to a semiotic linguistics of affect and subjectivity look like?

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时间与《资本论》的修辞

Lauren Berlant, Moishe Postone和Michael Silverstein是芝加哥大学三十多年的同事。波斯顿是世界上最重要的马克思主义思想家之一;西尔弗斯坦是他那一代最重要的语言人类学家;伯兰特是她那一代最有影响力的文学理论家。本文探讨马克思主义、符号学语言学和文学研究是否兼容。然而，我们将不得不回到“语言学转向”，重新审视一些关于修辞作用的旧辩论。但是，重新焕发活力的时间性修辞将回答本尼迪克特·安德森(Benedict Anderson)在近40年前提出的问题:资本和叙事的时间性如何相互作用，以创造新的社会影响和情感?马克思主义对情感和主体性的符号学语言学的研究方法会是什么样子?

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Public Culture Multiple-

CiteScore

2.10

自引率

6.70%

发文量

期刊介绍： Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.