Fostering Archive Awareness at Art Museums in South Africa

IF 0.1 0 ART
Daniel Rankadi Mosako
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引用次数: 0

Abstract

Abstract The purpose of this article is to emphasise the importance of exhibiting archival records in art museum spaces as a knowledge development and information dissemination stance. The article also draws attention to the limitations that are encountered in fostering the public programming of archives through digital technology in art museums. The 2013 Revised White Paper on Arts, Culture and Heritage states that cultural and creative industries should ensure that as many South Africans as possible have access to arts, culture, and heritage offerings, and this includes archival records. However, art museum archives continue to be exclusionist and often act as historical, social, and information barriers for end users. This qualitative study accentuates the importance of physical and remote public programming activities for art museums and art galleries. The study followed a phenomenological research approach and explored the experiences and perceptions of art museum end users in relation to the adequacy of archive public programming. The findings suggest that exhibiting archival holdings at art museums can create awareness among audiences and expose such audiences to cultural history through the archival exhibits, which could be shared externally through digital media.
提高南非艺术博物馆的档案意识
摘要本文的目的是强调在美术馆空间中展示档案记录作为知识发展和信息传播的重要立场。文章还指出了利用数字技术促进艺术博物馆档案公共规划所遇到的局限性。2013年修订的《艺术、文化和遗产白皮书》指出,文化和创意产业应确保尽可能多的南非人能够接触到艺术、文化和遗产产品,其中包括档案记录。然而,艺术博物馆的档案仍然是排他性的,经常成为最终用户的历史、社会和信息障碍。这项定性研究强调了艺术博物馆和艺术画廊的实体和远程公共规划活动的重要性。该研究采用现象学研究方法,探讨了艺术博物馆最终用户对档案公共项目充分性的经验和看法。研究结果表明,在艺术博物馆展出档案藏品可以提高观众的意识,并通过档案展品向观众展示文化历史,这些文化历史可以通过数字媒体对外分享。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
De Arte
De Arte ART-
CiteScore
0.20
自引率
0.00%
发文量
7
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