{"title":"POR UNA ANTROPOLOGÍA DE LOS ESCOMBROS. EL ESTALLIDO SOCIAL EN PLAZA DIGNIDAD, SANTIAGO DE CHILE","authors":"Francisca Márquez","doi":"10.32995/rev180.num-45.(2020).art-717","DOIUrl":null,"url":null,"abstract":"This work is a theoretical and ethnographic approach about the city in ruins and the debris left by recent social protests in Plaza Dignidad in Santiago de Chile. In order to move towards an anthropological definition of the debris, we should ask ourselves, what is the debris after the protests and what place does it inhabit inside the city? What can it tell us and what accounts do these cracked and fissured remains contain, hide and destabilize? Why have they become a field of dispute, a field of forgetfulness, discomfort and fascination? Through the ethnographic and photographic records of post-revolt materialities, the analysis is organized into four dimensions: Skin and patina of the environmental memories; Ambivalence of form and destruction; Ghosts and fetish; Affections and topophilia in dystopia. It is concluded that whatever the ruined artifacts may be, they are always —like the residual materials they are— disorganizing and disconcerting the city, forcing it to reread and rewrite its significant forms. Herein may lie a secret fascination in the debris following the detonation of our city.","PeriodicalId":41052,"journal":{"name":"Revista 180","volume":"1 1","pages":"1-13"},"PeriodicalIF":0.2000,"publicationDate":"2020-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"8","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista 180","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32995/rev180.num-45.(2020).art-717","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 8
Abstract
This work is a theoretical and ethnographic approach about the city in ruins and the debris left by recent social protests in Plaza Dignidad in Santiago de Chile. In order to move towards an anthropological definition of the debris, we should ask ourselves, what is the debris after the protests and what place does it inhabit inside the city? What can it tell us and what accounts do these cracked and fissured remains contain, hide and destabilize? Why have they become a field of dispute, a field of forgetfulness, discomfort and fascination? Through the ethnographic and photographic records of post-revolt materialities, the analysis is organized into four dimensions: Skin and patina of the environmental memories; Ambivalence of form and destruction; Ghosts and fetish; Affections and topophilia in dystopia. It is concluded that whatever the ruined artifacts may be, they are always —like the residual materials they are— disorganizing and disconcerting the city, forcing it to reread and rewrite its significant forms. Herein may lie a secret fascination in the debris following the detonation of our city.
期刊介绍:
Revista 180 is an international academic journal of architecture, art, design and urbanism, published by the Universidad Diego Portales. Revista 180 publishes critical analysis and research in the field of architecture, art, design, urbanism and related areas, prioritizing multidisciplinary studies that have an impact on public policies. Indexed since 2005 in Scopus and since 2006 in the Arts and Humanities Citation Index (A&HCI) of Thomson Reuters, Revista 180 has become an important reference in its area, presenting a distinguished International Editorial Board. The journal publishes articles in Spanish and English.