El arte paleolítico en el cine = Paleolithic Art in Cinema

Abstract

El articulo investiga la difusion del arte paleolitico en el cine, desde R.F.D 10000 BC (1916) de Willis O’Brien a Alpha de Albert Hughes (2018). Establece una metodologia para clasificar y estudiar el «arte paleolitico filmico» en tres tipos: creado, recreado y reproducido. Se analiza la cronologia de los tipos, los referentes (Lascaux, Altamira y Chauvet), los temas, las funciones y los significados. Se observa una tendencia al realismo que acerca el «arte paleolitico filmico» al «arte paleolitico cientifico». Abstract The aim of this article is to investigate the spread of Palaeolithic art in the cinema, from R.F.D 10000 BC (1916) of Willis O’Brien to Alpha of Albert Hughes (2018). A methodology to classify and study the film «Palaeolithic art» is established in three aspects: the created art, the recreated art and its reproduction. The chronology of these types is analysed; as well as their references (Chauvet, Lascaux and Altamira), items, functions and meanings. There is a tendency to the realism that approaches from the «filmed Palaeolithic art» to the scientific «Palaeolithic art».