Cultural Expressions and Criticisms in the US Mipsterz Fashion Video

Kristin M. Peterson
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引用次数: 1

Abstract

This article discusses the 2013 fashion video, “Somewhere in America #MIPSTERZ,” which featured the “mipsterz” or Muslim hipsters, a community of young Muslims blurring the lines between “traditional” Islamic culture and contemporary Western culture. The women in the video exhibit fashion styles that incorporate Islamic elements of modesty. The ensuing controversy over this video illustrates larger contestations within Islam about fashion. This paper presents a critical discourse analysis of the Mipsterz video in order to explore how the subjectivity of Muslim women is constituted through the visual images in this video, the deployment of the term mipsterz, and the ensuing debates. The analysis focuses on the visual style of the fashion and incorporates Malcolm Barnard’s theories on the connections between fashion and identity. The paper makes the argument that through the use of the term mipsterz and the em­bodiment of this innovative fashion style, the women resist dominant discour­ses about what it means to be a Muslim in the Western context. The women create a hybrid style that blends Islamic modesty and piety, hip and fashionable styles, and the creativity and anti-commercialism of the hipster movement.
美国Mipsterz时尚视频中的文化表达和批评
这篇文章讨论了2013年的时尚视频《美国某处#MIPSTERZ》,该视频以“MIPSTERZ”或穆斯林潮人为特色,这是一个年轻穆斯林社区,模糊了“传统”伊斯兰文化和当代西方文化之间的界限。视频中的女性展示了融合了伊斯兰谦逊元素的时尚风格。这段视频引发的争议说明了伊斯兰教内部对时尚的更大争论。本文对Mipsterz视频进行了批判性话语分析,以探讨穆斯林女性的主体性是如何通过视频中的视觉图像、Mipsterz一词的使用以及随后的辩论来构成的。该分析侧重于时尚的视觉风格,并结合了马尔科姆·巴纳德关于时尚和身份之间联系的理论。本文认为,通过使用mipsterz一词和这种创新时尚风格的前身,女性抵制了关于在西方背景下作为穆斯林意味着什么的主流言论。这些女性创造了一种混合风格,融合了伊斯兰的谦逊和虔诚,时髦和时尚的风格,以及潮人运动的创造力和反商业主义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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