{"title":"En mi mero mole: una lectura antropológica de “Mole” en Chapters of food","authors":"María del Carmen Castillo Cisneros","doi":"10.31644/ED.V8.N1.2021.A07","DOIUrl":null,"url":null,"abstract":"In Chapters of food, Enrique Olvera, a trendy mexican chef, states that mole tastes like mole, not like the sum of its ingredients because when you mix them, they all renounce to their proper flavors. The mole, although it is mole, is just because all its ingredients cooperate with flavors and because it is enough to dip the fingertip in the mixture to repair in each of them. To say that mole tastes like mole is to abstract the complexity of its flavors and that includes the cultural flavors that its confection involves. In Oaxaca, moles are a crucial part of the food culture of their people and each one has a particular configuration that goes beyond the culinary. Therefore, a mole is the condensation of multiple social relationships that coexist beyond folklorisms thatfetish, enchant and kill. In this text, based on my ethnographic work of almost two decades in Oaxaca, I provide an anthropological review of the “Mole” video, emphasizing the importance of commensality and textiles to highlight that, an ambiguous treatment of sociocultural content ends up being harmful to what we call our cultural heritage.","PeriodicalId":55712,"journal":{"name":"EntreDiversidades Revista de Ciencias Sociales y Humanidades","volume":"8 1","pages":"164-185"},"PeriodicalIF":0.0000,"publicationDate":"2021-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"EntreDiversidades Revista de Ciencias Sociales y Humanidades","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31644/ED.V8.N1.2021.A07","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
In Chapters of food, Enrique Olvera, a trendy mexican chef, states that mole tastes like mole, not like the sum of its ingredients because when you mix them, they all renounce to their proper flavors. The mole, although it is mole, is just because all its ingredients cooperate with flavors and because it is enough to dip the fingertip in the mixture to repair in each of them. To say that mole tastes like mole is to abstract the complexity of its flavors and that includes the cultural flavors that its confection involves. In Oaxaca, moles are a crucial part of the food culture of their people and each one has a particular configuration that goes beyond the culinary. Therefore, a mole is the condensation of multiple social relationships that coexist beyond folklorisms thatfetish, enchant and kill. In this text, based on my ethnographic work of almost two decades in Oaxaca, I provide an anthropological review of the “Mole” video, emphasizing the importance of commensality and textiles to highlight that, an ambiguous treatment of sociocultural content ends up being harmful to what we call our cultural heritage.
时髦的墨西哥厨师恩里克·奥尔维拉(Enrique Olvera)在《食物的章节》(Chapters of food)中说,mole尝起来就像mole,而不是所有配料的总和,因为当你把它们混合在一起时,它们都放弃了自己的味道。摩尔,虽然是摩尔,只是因为它的所有成分都与味道相配合,因为它足以将指尖浸入混合物中以修复每一种味道。说mole尝起来像mole,就是抽象了它味道的复杂性,包括它的甜点所包含的文化味道。在瓦哈卡,鼹鼠是当地人饮食文化的重要组成部分,每只鼹鼠都有一种特殊的配置,而不仅仅是烹饪。因此,鼹鼠是多种社会关系共存的凝结,超越了迷信、蛊惑和杀戮的民俗。在本文中,基于我在瓦哈卡州近二十年的民族志工作,我对“鼹鼠”视频进行了人类学回顾,强调了共通性的重要性,并强调了对社会文化内容的模糊处理最终会损害我们所谓的文化遗产。