¿Para qué sirve la luz? Antonio Gramsci en la obra de Alfredo Jaar

IF 0.2 4区艺术学 0 ARCHITECTURE

Revista 180 Pub Date : 2021-07-29 DOI:10.32995/REV180.NUM-47.(2021).ART-853

M. Castillo

引用次数: 0

Abstract

The article proposes a reading of the figure of Antonio Gramsci in the work of Alfredo Jaar. Based on the mediation of the poem Le ceneri de Gramsci , by Pier Paolo Pasolini, the Chilean artist begins a search for Gramsci that is, at the same time, a search for the image, an interrogation and detained meditation on the place of the image in the contemporary society. An interrogation that is proposed as an inquiry into light, about the image as light.

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光的作用是什么?安东尼奥·葛兰西在阿尔弗雷多·贾尔的作品中

文章提出对贾作品中葛兰西形象的解读。在皮埃尔·保罗·帕索里尼（Pier Paolo Pasolini）的诗歌《葛兰西的故事》（Le ceneri de Gramsci）的调解下，这位智利艺术家开始了对葛兰西的寻找，即在寻找图像的同时，对图像在当代社会中的地位进行审问和沉思。一种询问，被认为是对光的询问，关于光的图像。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Revista 180 ARCHITECTURE-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： Revista 180 is an international academic journal of architecture, art, design and urbanism, published by the Universidad Diego Portales. Revista 180 publishes critical analysis and research in the field of architecture, art, design, urbanism and related areas, prioritizing multidisciplinary studies that have an impact on public policies. Indexed since 2005 in Scopus and since 2006 in the Arts and Humanities Citation Index (A&HCI) of Thomson Reuters, Revista 180 has become an important reference in its area, presenting a distinguished International Editorial Board. The journal publishes articles in Spanish and English.